Revealed! • Kevin Allen’s Setting of the “Confíteor Deo Omnipoténti” (SATB) for Compline
I find this melody hauntingly gorgeous.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
I find this melody hauntingly gorgeous.
July 19–21 Sacred Music Institute “Inheritors of Heaven: The Call to Eucharistic Worship”
Certainly the most beautiful capital “Q” I’ve ever seen!
Including an “added bonus” I discovered while researching Julius Bas (an Italian musicologist and organist).
If we truly believe what we say we believe, how can we allow goofy, off-Broadway, secular, casual music at Mass?
A VESPERS ACCOMPANIMENT BOOKLET (20 pages) for this coming Sunday—the 5th Sunday after Easter—can now be downloaded. Those who sing Vespers exactly as given in the ANTIPHONALE ROMANUM will notice that all five psalms for Eastertide are sung according to the exact same tone with the exact same differentiæ. Can someone explain why this is? […]
I mentioned to my (much younger) assistant that certain battles I will no longer fight. She told me I was becoming bitter—but I can honestly say that isn’t the case.
As of 6 May 2023, anyone who wishes to may download the COMPLETED BOOKLET (330 pages) which was created for participants of Sacred Music Symposium 2023. Those who were accepted to participate in this year’s conference will be presented with their own (hard-copy) printed version of this breathtaking booklet. The faculty this year includes Professor […]
Examples of comments we recently received, from all over the globe: (1) “The Byrd composition your student sung was certainly beautiful. I cannot say how thankful I am for all that CCWATERSHED does in the world of sacred music. The videos, and recorded audios and newsletters are wonderful and beautiful. When you said that […]
Too many priests are ignorant of the glories of authentic sacred music.
To recruit, teach, inspire, and retain volunteer choir members is no easy task!
As late as 1924, Dom Mocquereau mentioned Dom Desrocquettes “whose beautiful and discreet accompaniments I hear every day at Solesmes.”
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