Re: Ancient Sequence (Thursday after Pentecost)
A priest saw her article and provided—for the first time in history—a literal English translation!
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
A priest saw her article and provided—for the first time in history—a literal English translation!
If you conduct a volunteer choir, you might consider using this Simple Piece #40273 (“Adésto Sáncta Trínitas”) which can be used during the rest of the liturgical season until Advent. It’s based on the well known hymn tune: OLD HUNDREDTH. Rehearsal videos are available at #40691. A live recording of #40273 (“Adésto Sáncta Trínitas”) by […]
Keep a repository of your choir-related thoughts and feelings. You’ll thank yourself someday.
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With a digression on Corrinne May’s upcoming presentation.
“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar
Did Dom Mocquereau compose any official plainsong pieces included in the official edition? He did!
Dear reader, it is up to you to ensure that the theological content of the music at your parish is faithful to the unchanging teachings of the holy Catholic Church.
Our volunteer choir appreciates training videos, so here’s my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
My colleague, Patrick Williams, has given me permission to share with our audience a recording his choir made.
Letters like this prove there are still awesome people in this world!
There was no explanation given for why “Darrin Stephens” was suddenly a completely different person.
I don’t think our readers are interested in what we say about Gregorian rhythm—they’re interested only in what we can demonstrate.
My volunteer choir attempted the polyphonic KYRIE that will be sung at this year’s Sacred Music Symposium. If you’re interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of […]
“The organ is so universally used as an accompanying instrument today that there is a pressing need to provide a written accompaniment…” —César Franck
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