• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Mass and Motets

Veronica Brandt · March 18, 2023

When we were starting a schola at Lawson, a retired priest gave me a copy of this little booklet, Mass and Motets for Mixed Voices, By Polyphonic Masters. This was printed by The Advocate Press, 143-151 a’Beckett Street, Melbourne, Australia. I had assumed it was an Australian compilation, but someone has found parallels with offerings by Kalmus, which I haven’t been able to confirm. Then I noticed the German notes in a few places.

It was printed before printing publishing dates was a thing, so I’m guessing it’s about 1940-ish.

In the past, I had sung from photocopies from this booklet with different choirs, without knowing the source. So many pieces are familiar, I look forward to getting to know the remainder.

Someone asked me to scan it, but if Kalmus is selling it, then maybe that’s not the best. Also, it’s quite a cramped typesetting to shoe-horn as much music as possible into 32 pages. Also, the pieces are available elsewhere on the internet, all except the Gloria from Antonio Lotti’s Missa Brevis for 4 voices in C. The booklet calls it Missa (dorisch), but Lotti’s Masses get many mixed up names in different editions.

So, here are all the pieces with links.

  • Missa (dorisch) – Mass and Motets includes the Gloria, but this link doesn’t.
  • Adoramus Te Clemens non Papa
  • Adoramus Te Francesco Rosselli
  • Ave Regina Caelorum Antonio Lotti
  • Ave Verum Wolfgang Amadeus Mozart
  • Cantate Domino Giuseppe Pitoni
  • Christus Factus Est Felice Anerio
  • Ecce, quomodo moritur, Jacob Handl Gallus
  • Hodie nobis coelorum Rex Giovanni Bernardino Nanino
  • In nomine Jesu Jacob Handl Gallus
  • Istorum est Claudio Casciolini
  • Jesu, dulcis memoria Tomás Luis de Victoria
  • O bone Jesu Marco Antonio Ingegneri
  • O Domine Jesu Christe Giovanni Pierluigi da Palestrina
  • O Jesu Christe Rinaldo del Mel
  • O Redemptor Giovanni Pierluigi da Palestrina
  • O vos omnes Giovanni Croce
  • Popule meus Tomás Luis de Victoria
  • Regina Caeli Antonio Lotti
  • Tantum Ergo Giovanni Matteo Asola
  • Tantum Ergo Palestrina? – printed in the English Hymnal Clearer pdf from Musescore
  • Veni sancte Spiritus Sethus Calvisius
  • Veni Creator Spiritus Claudio Casciolini

And here are some photos:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 18, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Pope Francis breaks Catholic traditions whenever he wants because he is free from disordered attachments. Our Church has indeed entered a new phase: with the advent of this first Jesuit pope, it is openly ruled by an individual rather than by the authority of Scripture alone or even its own dictates of tradition plus Scripture.”

— Fr. Thomas Rosica (31 July 2018)

Recent Posts

  • Should Catholics Sing Protestant Christmas Carols?
  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”
  • PDF • “Standard Gregorian Chants for Schools, Churches, Seminaries, & Convents” (1946) —123 pages

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.