Hidden Gem: Adoro Te Devote (Carlotta Ferrari)
Find out why this motet is simple enough for beginning choirs yet demanding enough to challenge seasoned singers.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Find out why this motet is simple enough for beginning choirs yet demanding enough to challenge seasoned singers.
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There must have been a need for such a booklet, otherwise he would not have gone to the trouble of creating it!
If your priest approaches you after Mass and says the music sounded horrible, it’s incorrect to reply: “Well, that’s how it’s supposed to be.”
A few years ago, I had valuable books stolen. Recovery efforts with law enforcement have failed, so I’m reaching out to our readers. Can somebody help me obtain VOLUME II and VOLUME VIII of the Nova organi harmonia published in the 1940s and 1950s by the LEMMENSINSTITUUT? As far as I can tell, these volumes can’t […]
“Many choirs only have the opportunity to sing a choral Requiem Mass once a year, if that.” —Patrick Williams
The internet is putting good people in touch with one another.
Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.
The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.
“Work hasn’t even begun on the next Lectionary, and there’s nothing definite about 2028 as a date.” — Father Andrew V. Menke, director of the USCCB liturgical committee
If memory serves, his exact words were: “Gee, I never thought about that before.” Astonishing!
In addition to this rare book by Max Springer (870 pages), I release the draft copy of a new Gregorian project (157 pages).
Musicians can have a stronger voice than even the legendary Fulton J. Sheen!
“These manuscripts had to be sought out in the public or capitular libraries, whose conservators were often hardly supportive of—if not outright hostile to—the reproduction of their treasures.”
Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”
We strive to emphasize the positive on this blog, but I have to admit…
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