Views from the Choir Loft

Document restricting the Latin Mass “broke Pope Benedict’s heart” says Archbishop Gänswein

Corpus Christi Watershed · January 3, 2023

Interviewer: So, Pope Benedict’s lifting of restrictions on celebrating the Extraordinary Form of the Roman Rite according to the 1962 Missal did not last as long as he intended. As Pope Emeritus, he was around to see the promulgation of Pope Francis’ MOTU PROPRIO Traditionis Custodes. Was he disappointed?

Archbishop Gänswein: It hit him pretty hard. I believe it broke Pope Benedict’s heart to read the new MOTU PROPRIO, because his intention had been to help those who simply found a home in the Missale Vetustum—to find inner peace, to find liturgical peace—in order to draw them away from Marcel Lefebvre. And if you think about how many centuries the old Mass was the source of spiritual life and nourishment for many people including many saints, it’s impossible to imagine that it no longer has anything to offer. And let’s not forget that many young people—who were born long after the Second Vatican Council, and who don’t really grasp all the drama surrounding that council—that these young people, knowing the new Mass, have nevertheless found a spiritual home, a spiritual treasure in the old Mass as well. To take this treasure away from people … well, I can’t say that I’m comfortable with that.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

PDF • SABT Enhancement (“Our Father”)

If you direct music in the ORDINARY FORM, you’ll want to download this free PDF as fast as humanly possible. While in Europe last summer, Veronica discovered this breathtaking “polyphonic enhancement” for the Lord’s Prayer. The congregation sings their part as normal, while the choir “weaves” SATB harmonies around them. My choir is definitely going to use this!

—Jeff Ostrowski

“Entrance Chant” • Sunday (17 Nov. 2024)

Download the Entrance Antiphon in English for the 33rd Sunday in Ordinary Time (17 November 2024). It’s in mode 6—which some consider the “mode of peace”—and mimics the authentic version in a splendid and gorgeous way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Quotation” • Pope Pius X on Plainsong

In a letter to Msgr. Callegari (1897), Giuseppe Cardinal Sarto—later POPE SAINT PIUS X—wrote as follows: “If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei … that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.” Giuseppe Sarto, as Bishop of Mantua, personally copied (using a primitive duplicator) the sheet music necessary for the choir members, both in figured music and Gregorian chant.

—Jeff Ostrowski

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski

Final Sundays after Pentecost

For those of us at a traditional Latin Mass, it’s that time of year when the sung propers for each Sunday repeat until the end of the liturgical year. What to do with the portion of your mid-week rehearsal that you normally devote to the next Sunday’s propers? I like to get a head start on propers for upcoming December feasts. We always sing Our Lady of Guadalupe on December 12 because she’s co-patroness of our diocese, and we sing a Rorate Mass in addition to Immaculate Conception. There’s also the first Sunday of Advent; it often follows Thanksgiving by a few days and we don’t rehearse on Thanksgiving. In short, there’s no reason to get bored at this time of year!

—Keven Smith

Parallel Fifths In Plainsong Accompaniment?

Parallel 5ths are forbidden in Baroque music and Classical music. However, plainsong accompaniment has its own rules and modal style. The great masters sometimes even wrote parallel sevenths! Instances of parallel fifths are too numerous to list in the Nova Organi Harmonia by the LEMMENSINSTITUUT. For example, consider this one. But one must possess a certain expertise to employ them properly. By the way, if you wish to see double parallel fifths, click here.

—Jeff Ostrowski