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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Nobody Cares About This” • (Except Me!)

Jeff Ostrowski · September 24, 2022

IDS USED TO PLAY a game called TELEPHONE. They’d pass along a message and laugh at how distorted it became when the final child tried to repeat it. That’s what should have happened to Gregorian Chant as it was passed along over 1,500 years. However, through some inexplicable miracle, that’s not what happened. Even though plainsong melodies kept changing—since each monastery had its own singing style—the basic melodies never became unrecognizably corrupt (until they reached Guillaume Nivers). Even today, no scholar can explain this. It’s like each generation had access to a “primary source” … but we know they didn’t, because somebody over the last 1,500 years would surely have mentioned such a manuscript.1

This Sunday’s Introit • The Introit for this coming Sunday (Sixteenth Sunday after Pentecost) is Miserére Mihi Dómine. As part of an ongoing project, I took a few minutes and created a recording corresponding to the official rhythm:

Nobody Cares About This • I’m not sure anyone will care about this, but the Introit for the Friday before Palm Sunday (“Feria Sexta post Dominicam Passionis”) strongly resembles the one we just spoke about:

Ps. 30 vs Ps. 85 • The Introit from the 16th Sunday after Pentecost is from Psalm 80, whereas the other comes from Psalm 30. One is in Mode V while the other is in Mode VIII. Incidentally, in more recent times the “Friday before Palm Sunday” was replaced with a feast called The Seven Dolours of the Blessed Virgin Mary (with Introit “Stabant Juxta Cruem Jesu”). Getting back to the topic at hand, some might believe one Miserére is a “corrupted” version of the other Miserére—but that’s not the case. As you can see, both go back centuries before music could even be written down:

*  PDF Download • Comparison Between Introits
—16th Sunday after Pentecost VS. Friday before Palm Sunday.

The Most Difficult Thing • The hardest thing about memorizing music is not melodies that are identical. Rather, it’s melodies which are almost identical. The best example I can think of is Visiónem Quam Vidístis from the Feast of the Transfiguration.

1 If I had the time, I could easily demonstrate the truth of what I’ve just said—but such a demonstration will have to wait for another day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 24, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The authority of the Pope is not unlimited. It is at the service of Sacred Tradition. Still less is any kind of general ‘freedom’ of manufacture, degenerating into spontaneous improvisation, compatible with the essence of faith and liturgy. The greatness of the liturgy depends—we shall have to repeat this frequently—on its lack of spontaneity.”

— Josef Cardinal Ratzinger (2000)

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