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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Nobody Cares About This” • (Except Me!)

Jeff Ostrowski · September 24, 2022

IDS USED TO PLAY a game called TELEPHONE. They’d pass along a message and laugh at how distorted it became when the final child tried to repeat it. That’s what should have happened to Gregorian Chant as it was passed along over 1,500 years. However, through some inexplicable miracle, that’s not what happened. Even though plainsong melodies kept changing—since each monastery had its own singing style—the basic melodies never became unrecognizably corrupt (until they reached Guillaume Nivers). Even today, no scholar can explain this. It’s like each generation had access to a “primary source” … but we know they didn’t, because somebody over the last 1,500 years would surely have mentioned such a manuscript.1

This Sunday’s Introit • The Introit for this coming Sunday (Sixteenth Sunday after Pentecost) is Miserére Mihi Dómine. As part of an ongoing project, I took a few minutes and created a recording corresponding to the official rhythm:

Nobody Cares About This • I’m not sure anyone will care about this, but the Introit for the Friday before Palm Sunday (“Feria Sexta post Dominicam Passionis”) strongly resembles the one we just spoke about:

Ps. 30 vs Ps. 85 • The Introit from the 16th Sunday after Pentecost is from Psalm 80, whereas the other comes from Psalm 30. One is in Mode V while the other is in Mode VIII. Incidentally, in more recent times the “Friday before Palm Sunday” was replaced with a feast called The Seven Dolours of the Blessed Virgin Mary (with Introit “Stabant Juxta Cruem Jesu”). Getting back to the topic at hand, some might believe one Miserére is a “corrupted” version of the other Miserére—but that’s not the case. As you can see, both go back centuries before music could even be written down:

*  PDF Download • Comparison Between Introits
—16th Sunday after Pentecost VS. Friday before Palm Sunday.

The Most Difficult Thing • The hardest thing about memorizing music is not melodies that are identical. Rather, it’s melodies which are almost identical. The best example I can think of is Visiónem Quam Vidístis from the Feast of the Transfiguration.

1 If I had the time, I could easily demonstrate the truth of what I’ve just said—but such a demonstration will have to wait for another day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 24, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading in the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (d. 1976)

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  • (Part 2) • Did they simplify this hymn?

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