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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Do You Know This Hymn Composer?” • Orlando Gibbons (d. 1623)

Jeff Ostrowski · July 9, 2022

ODAY WE RELEASE “installment 2” in the new series called How Has Nobody Done This Before? This series features hundreds of rehearsal videos—for each individual singer’s voice part—of the world’s greatest hymns. The entire project can be accessed completely free of charge at this website (scroll towards the middle section). It’s so useful to be able to send your choir members to a website containing individual voice parts, while knowing the hymn texts (lyrics) and the hymn notes (harmonies) have not been tampered with.

Glenn Gould’s Favorite: Today we feature Glenn Gould’s favorite composer: ORLANDO GIBBONS. Let’s start with Brébeuf #715, which is a Roman Catholic text (Adesto Pater Domine) translated into English by a Catholic poet named Alan Gordon McDougall (whose work Father Adrian Fortescue admired):

M Rehearsal videos for each individual voice await you at #715.

Common Tunes: What makes the Brébeuf hymnal so powerful is its use of “common tunes.” That means you can teach your choir #715 (above) and they already know a bunch more hymns. For example, they already know this hymn to Saint Joseph, whose text was written by an FSSP priest:

M Rehearsal videos for each individual voice await you at #790.

…and they’ll automatically know this hymn for Lent:

M Rehearsal videos for each individual voice await you at #240.

…and here’s another Lenten hymn they will know automatically:

M Rehearsal videos for each individual voice await you at #220.

HE new publication by Sophia Institute Press (Saint Jean de Brébeuf Hymnal) is quite different than other Catholic hymnals currently available. Unlike other “Catholic” hymnals, it refused to mimic or “build upon” Protestant models. The hymnal is Catholic to its core. To find something similar, you’d have to go back seventy years to the New Westminster Hymnal, which was (generally speaking) the work of Monsignor Ronald Knox and Dom Gregory Murray.

Here are some examples demonstrating how this melody by Orlando Gibbons was adopted by serious Catholic hymnals, even though Gibbons was not a Catholic:

*  PDF Download • “How It Used To Look”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • “New Saint Basil Hymnal”
—Notice how the editors chose a hymn to the Holy Ghost, just like the Brébeuf hymnal.

*  PDF Download • Theodore Marier
—Dr. Marier used this Gibbons tune at least three times in his hymnal.

*  PDF Download • “New Westminster Hymnal”
—Dom Gregory Murray and Msgr. Ronald Knox were its main creators.

*  PDF Download • “The Catholic Hymn Book”
—Produced by the London Oratory circa 1998.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Adesto Pater Domine, Angel's Song by Orlando Gibbons, Gibbons Song 34, How Has Nobody Done This, Orlando Gibbons Last Updated: July 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

Recent Posts

  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

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