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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2022

Jeff Ostrowski · July 30, 2022

PDF Download • “Contemporary Sanctus” (SATB)

This SATB setting by Father Lhoumeau—although contemporary—certainly adheres to the “rule” of Pope Saint John Paul II.

Corpus Christi Watershed · July 28, 2022

Isabella Marie • “My Personal Testimony”

“The Sacred Music Symposium was one of the most enjoyable, intense, and spiritually fulfilling experiences of my life.” — Isabella Marie

Jeff Ostrowski · July 28, 2022

PDF Comparison Chart • “Which Has More Scripture?” — Ordinary or Extraordinary Form?

The answer surprised me!

Veronica Moreno · July 27, 2022

Church Music Jobs • “March 2023” Installment

Know of additional church music job openings? Please share them!

Jeff Ostrowski · July 26, 2022

Open Letter to Bishop Roche • “12 Considerations”

I write in response to the 6 July 2022 statement by Pope Francis: “Make your voices heard! If they do not listen to you, shout even louder.”

Corpus Christi Watershed · July 26, 2022

Breaking! • Official Release of “Stowe Missal Eucharistic Motets” for 3 voices (Kevin Allen)

These pieces for “SAB” (Soprano, Alto, Bass) were commissioned by our organization for the National Eucharistic Revival.

Fr. David Friel · July 24, 2022

Free Folio of New Sacred Music for Parish Liturgies

A gift from The Catholic Sacred Music Project and the Benedict XVI Institute

Dr. Charles Weaver · July 23, 2022

Pothier Teaches Us to Sing an Antiphon

A look at Dom Pothier’s performance instructions for a communion antiphon reveals a great deal of complexity in this pre-Mocquereau interpretive approach.

Jeff Ostrowski · July 22, 2022

PDF Download • Professionally-Scanned “Graduale Romanum” (Schwann, 1908) • 1,129 pages!

This is the “pure” Vatican Edition—technically the only version of the rhythm allowed by Church documents!

Veronica Brandt · July 22, 2022

The Little Office of the Immaculate Conception

Singing the Little Office of the Immaculate Conception gets a whole lot more approachable.

Corpus Christi Watershed · July 20, 2022

[video] • “Heartfelt Plea To Cardinal DiNardo”

Gabby shares how attending the Latin Mass has profoundly changed her life.

Jeff Ostrowski · July 15, 2022

“Hymn For Mary’s Assumption” (15 August) • By Saint Robert Southwell, Priest & Martyr

Installment 3 • “How Has Nobody Done This Before?” (series)

Jeff Ostrowski · July 14, 2022

“Truly Wonderful Quote” • Dr. Roger Wagner

“Never apologize for your choir, because they’re as good as you are!”

Corpus Christi Watershed · July 14, 2022

PDF Download • Plainsong Settings for Voice & Organ … in English! (957 pages)

Composer Brian Michael Page has released “Psalm 151.”

Jeff Ostrowski · July 13, 2022

“To go to Mass together will be the light of Sunday for a family.” — Pope Benedict XVI (2005)

Statement by Pope Benedict XVI • Saint Peter’s Square (October, 2005)

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ”
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae, published in 1969 by the Vatican—bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

Recent Posts

  • “Samaritánæ”
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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