“Gregorian Chant Not In Danger Pope Tells French”
Actual headline from 9 April 1964.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
If there’s a more beautiful setting of this text, I don’t know what it could be.
This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that […]
This will be sung at the Basilica of Saint John Lateran, Rome and at the Basilica of Saint Francis Assisi.
As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!
If there is a more beautiful book than Abbat Pothier’s 1888 Processionale Monasticum, I don’t know what it might be. This gorgeous tome was today added to the Saint John Lalande Online Library. I wish I owned a physical copy.
Short biographical sketches of men and women who were church musicians themselves and who can empathize with the joys and struggles of our profession.
St. Mary’s: “Our singers experienced an incredible weekend working with Mr. Kevin Allen, the world-renowned composer.”
Occasionally the Solesmes rhythmic markings are surprising, as in one of tomorrow’s alleluias. Can we make sense of this?
If his choir sounds terrible, why would you trust his advice?
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