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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Audi Benigne Conditor” (Organ Accompaniment)

Jeff Ostrowski · March 13, 2022

T IS SOMEWHAT remarkable how difficult it is to find accompaniments for Vespers. Without question, the best source is the Nova Organi Harmonia—using, of course, the search function, which is COMMAND+F on a Mac, or CONTROL+F on a Windows computer. People like Giulio Bas, Joseph Hanisch, John Lambert and Peter Wagner also harmonized parts of the Divine Office, which you can conveniently download at the Lalande Library—but those collections are problematic in various ways. In Lent, the organ is permitted “to accompany the voices.” We have posted a number of articles with Vespers resources.

Here’s an accompaniment I created:

*  PDF Download • “Audi Benígne Cónditor”
—Harmonization by Jeff Ostrowski (15 March 2020).

Do you see how every verse is written out? This imitates the accompaniments for the Brébeuf hymnal:

Below is “Audi Benigne Conditor” as it appeared approximately 1425AD:

By the way, here’s an organ accompaniment to AUDI BENIGNE CONDITOR by Marcel Dupré (d. 1971), whom some consider the greatest concert organist of all time:

Our parish has five Sunday Masses, plus Vespers. I am so glad the Brébeuf hymnal provides numerous different tunes for each hymn, because I would go crazy playing the same tune six times in one day!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Audi Benigne Conditor, Vespers Hymn for Lent, Vespers Organist Scores Last Updated: March 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

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  • “Corn” From Heaven?

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