Views from the Choir Loft

“Sample Pages” • Campion Missal (2022 edition)

Jeff Ostrowski · February 1, 2022

ELOW, YOU CAN download a “summary” describing five fantastic features of the Campion Missal, Third Edition. You can also download sample pages from this marvelous pew book (672 pages long). I’m not an employee of Sophia Institute Press, but something tells me they will begin accepting pre-orders before long. With regard to the “extra” communion verses ¹ mentioned on that sheet, we have spoken of those before—and I will have a lot more to say later! A brand new alphabet (!!!) was designed for this publication; scroll to the bottom to see several letters.

* PDF Summary • FIVE FANTASTIC FEATURES
—Sophia Institute Press gave us permission to release this.

*  PDF Download • COLOR SECTION (Sample Page)
*  PDF Download • B&W (Good Friday, 1962)
*  PDF Download • B&W (Holy Thursday, 1962)
*  PDF Download • B&W (Holy Week, 1950)
*  PDF Download • B&W (Palm Sunday, 1962)
*  PDF Download • B&W (Cantus Gregorianus)
*  PDF Download • B&W (Feast of Corpus Christi)
*  PDF Download • B&W (Proper Prefaces)
*  PDF Download • B&W — “Lauda Sion”
*  PDF Download • B&W — “Tantum Ergo”
*  PDF Download • B&W — “Dies Irae”

Examples from the Saint Edmund Campion alphabet (©2022):

What We Need: This third edition includes breathtaking images of old liturgical books—placed right alongside the Mass texts—from the 7th century, 8th century, 9th century, 10th century, 11th century, and so forth. This is very powerful. And it’s precisely what’s needed at this moment, when the Missale Vetustum has come under attack in certain circles.

NOTES FROM THIS ARTICLE:

1 If you want to see some examples of the “extra” verses for Qui Manducat (from the 9th Sunday after Pentecost) please click here and scroll towards the bottom.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Using “Ye” Vs. “You” Correctly

Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.

—Jeff Ostrowski

“Pope Leo XIV Has Announced…”

My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”

—Jeff Ostrowski

“Chants” • 18th Sunday in Ordinary Time

All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed