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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Booklet • First Sunday of Advent Vespers (Organ Accompaniment) — Draft Copy

Jeff Ostrowski · November 29, 2021

YSTERICALLY UGLY. Those would probably be the best words to describe the organ accompaniment booklet I cobbled together for the First Sunday of Advent. But this season is tough, because Vespers changes each week during Advent. Our entire congregation sings Vespers each Sunday. I accompany most of the ceremony on the organ, but I always make sure that at least one psalm is sung without accompaniment—so the people can hear what “pure” choral music sounds like when they make it by themselves!

This may be an ugly booklet, but it got the job done yesterday:

*  PDF Download • Vespers for the 1st Sunday of Advent (Organ Accomp.)
—This is a very ugly booklet, but it got the job done!

Strange Irony: People have commented how weird it seems that the “Extraordinary Form” communities—i.e. those who use the Missále Antíquius of 1962—are the only ones actually following what Vatican II mandated. After all, the Second Vatican Council declared: “the Latin language is to be retained by clerics in the divine office” (SC §101). And how many parishes know that? Furthermore, how many parishes realize that Vatican II solemnly declared:

“It is, moreover, fitting that the office, both in choir and in common, be sung when possible. Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually.”
—The Second Vatican Council (SC §100)

Nerd Note: When it comes to the 2nd Psalm—remember we are speaking here of Second Vespers for the First Sunday of Advent—some folks have started adding Tone 8G* to each verse of the psalm, instead of just the very last verse. This is very confusing. Perhaps somebody who is really smart could email me and explain this? As far as I can tell, 100% of the older books have tone 8G*—but only add the “extra note” on the very last verse before the antiphon is repeated. I am speaking of books such as: Nóva órgani harmónia ad graduále júxta editiónem vaticánam (Volume VIII); Proprium De Tempore (Julius Bas); Vesperale romanum d’aprés l’édition vaticane (Dr. Peter Wagner); Vesperale Romanum (Paris, 8 dec 1912); and so forth.

What Does It Sound Like? If you want to hear what it sounds like when our parish sings Vespers, I provide a video below. If you desire to follow the video with a PDF score, click on this article; both booklets (Congregation + Organist) are provided there. When you listen to this video, remember that these are not trained singers. It’s just “regular” people from our five Sunday Masses who decide to show up on a particular day and sing:

By the way, organists can do really cool things with Vespers; e.g. here is a “Counter Melody” Video.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1st Sunday of Advent, Dr Peter Wagner Gregorian, First Sunday of Advent, Julius Bas Gregorian, Missale Antiquius, Organ Accompaniments, Vespers Organist Scores Last Updated: November 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

Recent Posts

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  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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