• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Two Hymns Loved By Everyone … Except Purists!

Jeff Ostrowski · October 5, 2021

Introduction: The Pharisees brought to Jesus (Jn 8:4) a woman caught in the very act of adultery. Archbishop Fulton J. Sheen wrote: “Caught in the act! What sneaking, spying, and rottenness are hidden in their words! Some faces are never so happy as when regaling a scandal, which the generous heart would cover and the devout heart pray over.” In today’s world, we have many bloggers who claim to be the world’s greatest Catholics. These folks become giddy with delight when they discover scandalous behavior. But here at Watershed, we try to provide positive ways to serve, honor, and glorify our Redeemer—rather than spending hours creating memes and parodies about Church scandals; and the following article is in that spirit.

ODAY, I WILL SPEAK of two hymns which are loved by everyone—except for purists! The first is very famous hymn called “When I Survey The Wondrous Cross,” which first appeared in 1707AD. It was written by Isaac Watts, who—although he was not a Catholic—wrote many hymns adopted by Catholics, such as “Joy to the World” and “Our God, Our Help in Ages Past.” This hymn appears in reputable Catholic hymnals; for instance, it is hymn #72 in the London Oratory Hymn Book and hymn #687 in the Jean de Brébeuf Hymnal.

Notice how vocal parts are added with each successive verse:

A Congregational Tune: If the tune sounds familiar, that’s because it is a Brébeuf “common melody,” which we recently spoke of. Most of the hymns in the Brébeuf hymnal are ancient Latin hymns translated into English by Catholic priests and bishops. This hymn is an anomaly, since it is written by a Protestant and became so popular that it was actually translated from English into Latin in 1876. It seems odd to translate a hymn from English into Latin, since the collection by Clemens Blume (d. 1932) contains more than 10,000 authentic medieval Latin hymns.

Contradicting Meter: Purists don’t like “When I Survey The Wondrous Cross” because two sections contradict the meter: (1) all the vain things; and (2) sorrow and love flow. However, this is not unheard of in hymnody. A very popular hymn “Abide with Me, Fast Falls the Eventide” contradicts the meter in the very first line. So does “God Father, Praise And Glory” on the word mankind. And the popular confirmation hymn “Come Holy Ghost, Creator Blest” contradicts the meter on the word comforter.

Controversial Text: The second hymn which is “loved by everyone except purists” was written by Father Frederick William Faber (d. 1863), a disciple of Cardinal Newman. The committee that assembled the Brébeuf hymnal had discussions about this text, because some believe it to be somewhat horse-and-buggy or sappy. However, in the end it was included because everyone loves singing it:

Tradition Speaks: That hymn by Father Faber is included in many Catholic hymnals. It is #40 in the Roman Catholic “Crown Hymnal” (1912) by Father Kavanagh. It is #58 in the American Catholic Hymnal (1913) by the Marist Brothers. It is #120 in the Saint Jean-Baptiste de La Salle Hymnal (1913). It is #240 in the Catholic Hymnal (1920) by Father John Hacker. It is #183 in The Catholic Hymn Book (London Oratory, 1998).

Mercy Is God’s Greatest Work: If we get to Heaven, perhaps we will find out what our Redeemer was writing on the ground which caused everyone—except the adulteress—to leave “starting with the eldest” (John 8:9). Here at Corpus Christi Watershed, we try to support music directors, instead of constantly dwelling on Church scandals, creating memes, composing “parodies” which are supposed to demonstrate how much smarter we are than everyone else, and so forth. Please consider supporting us—we need your support! It can become discouraging to see “Catholic” bloggers write 150 articles per day about evil in the Church…yet never lift a finger in real life to make things better. Father Valentine pointed out that the Old Testament says: “Mercy is God’s greatest work.” My personal belief is that we will not be asked—when we die—how many memes we created which dwell on the sins of others, nor how many Facebook arguments we “won.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles, Featured Tagged With: Common Hymn Melodies, Father Clemens Blume, Father Guido Maria Dreves, Rockingham Hymn Last Updated: October 6, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass
  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.