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Views from the Choir Loft

Archives for August 2021

Jeff Ostrowski · August 14, 2021

PDF Download • “Ave Maris Stella” (Organ Accompaniment)

The second part has blank staves—so you can compose your own organ harmonies!

Jeff Ostrowski · August 13, 2021

“Part 3 of 3” • Guerrero Kyrie for Our Lady

This is—perhaps—the most phenomenally gorgeous piece ever written.

Jeff Ostrowski · August 12, 2021

PDF Download • Hymn for the Assumption • (Soprano, Alto, Tenor, Bass)

This hymn was originally for the Assumption, but now can be used on various Marian feasts.

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Jeff Ostrowski · August 11, 2021

“Feast of All Saints” • Do You Know This Hymn?

All Saints—November 1st—will be here before you know it!

Jeff Ostrowski · August 9, 2021

PDF Download • “A Very Sloppy Accompaniment”

What I played from yesterday…

Jeff Ostrowski · August 8, 2021

8 August 2021 • “More on the Moræ”

If you look at the 1961 Solesmes Gradual for the 11th Sunday after Pentecost, you will see that somebody in the 1960s was trying to figure out the “melismatic moræ vocis” (a.k.a. “Vaticana white notes”) which we have spoken of so frequently on this blog.

Jeff Ostrowski · August 7, 2021

Hymn For The Transfiguration (6 August) • “Recorded During Choir Rehearsal”

An English translation by Robert Campbell of Skerrington (d. 1868), who was a convert to the Catholic Faith.

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Jeff Ostrowski · August 6, 2021

PDF Download • Alleluia (SATB) by Morales for “Ordinary Form” + “Extraordinary Form”

This piece works well in the “OF” (Ordinary Form) and also the “EF” (Extraordinary Form).

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Jeff Ostrowski · August 5, 2021

“Talking To Dead Composers” • Part 2

Including a live recording (without organ) of “Alleluia, Sing To Jesus” by a volunteer choir.

Jeff Ostrowski · August 4, 2021

It Finally Happened.

Father Valentine used to say: “The cemeteries are full of people who thought they were indispensable.”

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Jeff Ostrowski · August 2, 2021

“What is Vespers?” • Live Rec. + 100% Scrolling Score

After more than a year of Vespers having been forbidden (due to Covid-19) we’re back!

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Richard J. Clark · August 2, 2021

Michael Olbash on Sounds from the Spires

Olbash holds the distinction of being the Director of Music of two seminaries: Saint John’s Seminary, Boston, and Pope Saint John XXIII National Seminary in Weston, Massachusetts.

Jeff Ostrowski · August 1, 2021

“Homily: 10th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

Unfortunately, this virtue often seems to be lacking in people who have high positions of authority.

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Obey, then, these prescriptions sincerely and calmly. [viz. clerics must pray their office in Latin.] It is not an excessive love of old ways that prompts them.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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