PDF Download • The “1965 Missal” (1,785 pages)
“Truly Perplexing” • Pope Francis’ Motu Proprio
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
“We are today not another Church as 500 years ago; it’s always the same Church.” —Cardinal Ratzinger on EWTN
“Serve God in that charity and love which cast out fear; such love does not regard merit.” —Saint Bernard
If we grow up singing hymns, we’re incapable of judging them—because we’re “too close” to them. People who know and love “Abide with me, fast falls the eventide” probably never realized the first word is one of the most egregious examples of incorrect accentuation. (The correct accent for “abide” is on the second syllable, not […]
A reader from Chicago writes: “Your work is exemplary, and these past 15 months have put into clear focus for me just how important Corpus Christi Watershed is as an evangelizing voice in the Church. During this pandemic, we have moved away from the ‘big publisher’ psalters, employing nearly exclusively your settings, which (in my […]
Forced abstinence from the Eucharist in 2020 heightened for many the appreciation of the sacraments that one can take for granted.
In the annals of pianism, there were some fakers: Vladimir de Pachmann, Ignacy Jan Paderewski, Leopold de Meyer, and Henri Herz. A hilarious story is told by Harold C. Schonberg about Henri Herz, his manager (Bernard Ullman), and 1,000 candles. I think you will enjoy reading it.
We tried something last Sunday. On the final stanza of this Eucharistic hymn, we got softer. I’d love to know your thoughts—does it sound good, or contrived?
Including seven (7) examples of musical diversity.
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An urgent letter from the president … please read this!
This fabulous technique is common in Germanic countries…
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I also feel this is the reason that many church musicians in England don’t matriculate into doctoral programs—their choir schools imparted more than a doctoral program could ever give.
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Telling the true story of Monsignor Hugh O’Flaherty, a Catholic priest who saved thousands of lives during WW2.
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