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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Traditionis Custodes” • Five (5) Brief Reflections

Jeff Ostrowski · July 20, 2021

Regarding the following, I don’t pretend to speak for anyone but myself:

No Reason Given: It seems insane to me that somebody can attempt to “cancel” ancient and venerable rites without even attempting to identify anything in them which is bad, undesirable, or dangerous. I can’t think of a single thing about the Traditional Latin Mass which is harmful or less than ideal. I can’t thing of a single prayer which is not sublime in every conceivable way.

Monastic Vocation: We are being given a clue what it must have felt like to enter a convent or monastery in the 1930s or 1940s or 1950s. All of a sudden—in the 1960s—everything you have ever known and loved is ripped away from your life by people like Rembert G. Weakland (who somehow was allowed to serve as Abbot Primate of the Benedictine order). And why was this done? Nobody ever gave a reason.

Suppression Of Jesuits: Perhaps an expert in liturgy could think of another time in the Church when anything like this happened. Perhaps it’s like if you grew up with “Gallican” rites in France—and then “overnight” your diocese switched to the Roman Rite. Is that in any way comparable? Or perhaps this is similar to when the entire Jesuit order was suppressed by (Franciscan) Pope Clement XIV in 1773?

Hymn Destruction: Perhaps we are being given a clue about what it was like under Pope Urban VIII, when all the Church’s hymns were “canceled” in the blink of an eye. These ancient hymns had inspired polyphonic compositions which—in my humble opinion—have never been surpassed. I’m talking about polyphonic settings of the ancient hymns by composers such as Palestrina, Guerrero, Victoria, and Lassus. They were replaced by versions which we basically written by Pope Urban VIII, who was a poet. Sometimes only one or two words of the original hymn were left intact.

My Favorite Words: On a purely aesthetic level, the Ordinary Form cannot compare to the Extraordinary Form. One of my favorite parts of the Holy Mass—which was mutilated in the 1970 reform—comes after the Lord’s Prayer. The Extraordinary Form version says: “Deliver us, Lord, from every evil: past, present, and to come.” What is so harmful about this prayer?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio, Urbanite Hymn Reform Last Updated: July 20, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

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