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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Traditionis Custodes” • Five (5) Brief Reflections

Jeff Ostrowski · July 20, 2021

Regarding the following, I don’t pretend to speak for anyone but myself:

No Reason Given: It seems insane to me that somebody can attempt to “cancel” ancient and venerable rites without even attempting to identify anything in them which is bad, undesirable, or dangerous. I can’t think of a single thing about the Traditional Latin Mass which is harmful or less than ideal. I can’t thing of a single prayer which is not sublime in every conceivable way.

Monastic Vocation: We are being given a clue what it must have felt like to enter a convent or monastery in the 1930s or 1940s or 1950s. All of a sudden—in the 1960s—everything you have ever known and loved is ripped away from your life by people like Rembert G. Weakland (who somehow was allowed to serve as Abbot Primate of the Benedictine order). And why was this done? Nobody ever gave a reason.

Suppression Of Jesuits: Perhaps an expert in liturgy could think of another time in the Church when anything like this happened. Perhaps it’s like if you grew up with “Gallican” rites in France—and then “overnight” your diocese switched to the Roman Rite. Is that in any way comparable? Or perhaps this is similar to when the entire Jesuit order was suppressed by (Franciscan) Pope Clement XIV in 1773?

Hymn Destruction: Perhaps we are being given a clue about what it was like under Pope Urban VIII, when all the Church’s hymns were “canceled” in the blink of an eye. These ancient hymns had inspired polyphonic compositions which—in my humble opinion—have never been surpassed. I’m talking about polyphonic settings of the ancient hymns by composers such as Palestrina, Guerrero, Victoria, and Lassus. They were replaced by versions which we basically written by Pope Urban VIII, who was a poet. Sometimes only one or two words of the original hymn were left intact.

My Favorite Words: On a purely aesthetic level, the Ordinary Form cannot compare to the Extraordinary Form. One of my favorite parts of the Holy Mass—which was mutilated in the 1970 reform—comes after the Lord’s Prayer. The Extraordinary Form version says: “Deliver us, Lord, from every evil: past, present, and to come.” What is so harmful about this prayer?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio, Urbanite Hymn Reform Last Updated: July 20, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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