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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Pentecost Sequence In English! — Gregorian Notation w/ Organ Accompaniment

Jeff Ostrowski · June 25, 2021

VER SINCE we released eighteen free accompaniments for the “Veni Sancte Spiritus”—by composers like Max Springer, Father Andrew Green, Dr. Percy Jones, Julius Bas, Father Franz Mathias, Dr. Peter Wagner, Dr. Theodore Marier, Dr. Eugène Lapierre, Dom Desroquettes, Father Jules Van Nuffel, Achille P. Bragers, Dom Gregory Murray, Father Carlo Rossini, and more—we’ve been getting the same question over and over: Is there a version available in English? This morning was an awesome morning. I heard from some musician friends at the Vatican (regarding another matter), I heard from an important organist at a seminary in Europe, and I heard from the young lady in charge of the Chaumonot Composers Group.

She sent me a fabulous version—made possible by Mr. Andrew Hinkley—which places the PENTECOST SEQUENCE into singer’s notation, conveniently set on a double-sided sheet of paper:

*  PDF Download • “Veni Sancte Spiritus” (in English)
—PENTECOST SEQUENCE • English Translation with musical notes for singers.

*  PDF Download • ORGAN ACCOMPANIMENT (in English)
—PENTECOST SEQUENCE • Organ accompaniment (English).

This Sequence—Veni Sancte Spiritus—is called “The Golden Sequence.” It’s a marvelous prayer, and Father Valentine began every day of his priestly life by praying (or singing) this prayer.

We Can Do This: Something must be done to fix the musical situation in the Catholic Church. We can do this! We don’t need to be as proficient as Beethoven, who once transposed his “Concerto in C Major” into the key of B-Major because the piano was tuned a half step off. We don’t need to be as proficient as Ignaz Friedman, who once performed an unbelievable feat of memory, as related by conductor Georg Lennart Schnéevoigt. We don’t need to be as proficient as César Franck, who instantly transposed into another key the difficult piece he was required to sight-read at his final exam, causing him to win the Grand Prix d’Honneur at the Paris Conservatory. We don’t need to be as proficient as Camille Saint-Saëns, who had all the Beethoven Sonatas memorized at age ten. We don’t need to be as proficient as Josef Hofmann, who gave 21 consecutive concerts in St. Petersburg without repeating a single piece—playing 255 different works from memory!  …you get the point.

Start With English: Perhaps a good way to start “fixing” the situation is the Pentecost Sequence sung in English. All Catholics can learn it—even if they can’t read music. As my colleague, Keven Smith explained , the ability to read music is sometimes overrated. After all, Jackie Gleason couldn’t read music, but he became a popular musician. Jackie Gleason’s first album (“Music for Lovers Only”) still holds the record for the longest stay on the Billboard Top Ten Charts—153 weeks—and his first 10 albums sold over a million copies each. Luciano Pavarotti couldn’t read music, yet he was the highest paid musician in the world (when he was still alive).

Recording on a Toy Organ: I got excited about this piece, and quickly recorded it on a toy organ. Sometimes Gregorian Chant doesn’t “translate” well to English. But I was blown away by this! Please pardon any errors:

Veni Sancte Spíritus,
Et emítte caélitus
Lucis tuae rádium.

Veni pater páuperum,
Veni dator múnerum,
Veni lumen córdium.

Consolátor óptime,
Dulcis hospes ánimae,
Dulce refrigérium.

In labóre réquies,
In aestu tempéries,
In fletu solátium.

O lux beatíssima,
Reple cordis íntima
Tuórum fidélium.

Sine tuo númine,
Nihil est in hómine,
Nihil est innóxium.

Lava quod est sórdidum,
Riga quod est áridum,
Sana quod est sáucium.

Flecte quod est rígidum,
Fove quod est frígidum,
Rege quod est dévium.

Da tuis fidélibus,
In te confidéntibus,
Sacrum septenárium.

Da virtútis méritum,
Da salútis éxitum,
Da perénne gáudium.

Amen. Allelúia.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: English Translation Sequence, Organ Accompaniments, Pentecost Sequence, Veni Sancte Spiritus Last Updated: June 25, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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