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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Fifteen Best Catholic Hymns” • Wait……

Jeff Ostrowski · April 21, 2021

EVERAL YEARS AGO, in a traditionalist publication, a certain author created what he called: A List Of The Fifteen Best Hymns. He included the following: (1) At the Lamb’s High Feast We Sing; (2) The Lamb’s High Banquet We Await. Do you see the problem? If that author had purchased the Brébeuf hymnal, he would have known those are both the same hymn! They are English translations of Ad Cœnam Agni Providi (also known as Ad Regias Agni Dapes after 1631AD). It makes no sense to create a list of “best hymns” containing duplicate entries. Willard Romney is not a different senator than Mitt Romney. John Ellis Bush is not a different governor than Jeb Bush. Eldrick Woods is not a different golfer than Tiger Woods.

Our Core Problem?

The author claimed he was an expert on hymnody—yet he was guilty of a rookie’s error. I sometimes wonder if church musicians make the mistake of talking about the sacred liturgy in ways the average Catholic cannot understand. In other words, we “assume” Catholics know things they actually don’t. We “assume” folks in the pews understand concepts which are—to be completely honest—quite complex for those who haven’t dedicated their lives to church music. We “assume” Catholics know the difference between a COLLECT and an INTROIT. We “assume” Catholics realize 30+ different translations exist for each Latin Breviary hymn. We “assume” people realize what 88 88 meter is, or 86 86, or 87 87 87.

Consider this live recording from last Sunday. How many people know what happens at marker 0:23—in terms of what the voices do?

Failure To Communicate Well

Church musicians: Is this what we’re doing wrong? Do we need to start speaking about the sacred liturgy in what we would consider painfully obvious language? Are be boring our potential students because we “assume” they have the same command of these subjects as we do?

If an “expert” of hymns doesn’t even realize he’s listing the same text twice, what can we reasonably expect from the “average” Catholics in the pews? (I hate talking about “average” Catholics, but hopefully you get the point.)

Do we too often fall into the trap of speaking to people, not at the level they are, but at the level at which we desire them to be?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Hymn Meters, Hymnbooks, Jean de Brebeuf Hymnal Last Updated: April 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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