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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Fifteen Best Catholic Hymns” • Wait……

Jeff Ostrowski · April 21, 2021

EVERAL YEARS AGO, in a traditionalist publication, a certain author created what he called: A List Of The Fifteen Best Hymns. He included the following: (1) At the Lamb’s High Feast We Sing; (2) The Lamb’s High Banquet We Await. Do you see the problem? If that author had purchased the Brébeuf hymnal, he would have known those are both the same hymn! They are English translations of Ad Cœnam Agni Providi (also known as Ad Regias Agni Dapes after 1631AD). It makes no sense to create a list of “best hymns” containing duplicate entries. Willard Romney is not a different senator than Mitt Romney. John Ellis Bush is not a different governor than Jeb Bush. Eldrick Woods is not a different golfer than Tiger Woods.

Our Core Problem?

The author claimed he was an expert on hymnody—yet he was guilty of a rookie’s error. I sometimes wonder if church musicians make the mistake of talking about the sacred liturgy in ways the average Catholic cannot understand. In other words, we “assume” Catholics know things they actually don’t. We “assume” folks in the pews understand concepts which are—to be completely honest—quite complex for those who haven’t dedicated their lives to church music. We “assume” Catholics know the difference between a COLLECT and an INTROIT. We “assume” Catholics realize 30+ different translations exist for each Latin Breviary hymn. We “assume” people realize what 88 88 meter is, or 86 86, or 87 87 87.

Consider this live recording from last Sunday. How many people know what happens at marker 0:23—in terms of what the voices do?

Failure To Communicate Well

Church musicians: Is this what we’re doing wrong? Do we need to start speaking about the sacred liturgy in what we would consider painfully obvious language? Are be boring our potential students because we “assume” they have the same command of these subjects as we do?

If an “expert” of hymns doesn’t even realize he’s listing the same text twice, what can we reasonably expect from the “average” Catholics in the pews? (I hate talking about “average” Catholics, but hopefully you get the point.)

Do we too often fall into the trap of speaking to people, not at the level they are, but at the level at which we desire them to be?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Hymn Meters, Hymnbooks, Jean de Brebeuf Hymnal Last Updated: April 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Now we are aware of the fact that during recent years some artists, gravely offending against Christian piety, have dared to bring into churches works devoid of any religious inspiration and completely at variance with the right rules of art.”

— Ven. Pope Pius XII (25 December 1955)

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