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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2021

Jeff Ostrowski · March 16, 2021

Three Radical Liturgical Changes • (Pope Pius XII)

I love Venerable Pius XII very much, but this particular change was unconscionable.

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Fr. David Friel · March 16, 2021

Spring Lecture Series • Society for Catholic Liturgy

Three virtual lectures have just been announced by the SCL.

Jeff Ostrowski · March 15, 2021

Singers • High or Low?

I consider myself a “flexible” choirmaster. When I sing with men who have low voices, I join with them at a low pitch. Here’s an excerpt from yesterday, which was LAETARE SUNDAY (the 4th Sunday of Lent). Later that same day, I sang at another Mass with a singer who has a very high voice. […]

Jeff Ostrowski · March 15, 2021

15 March 2021 • Lætare Compliment!

I agree with Keven Smith that Covid-19 has been a huge boon to my skills of improvisation on the organ. I wanted to share this amazing email (which gave me such joy), sent to me by somebody I don’t know: “My name is —— and I attended the 7:00pm Mass today at St Vitus. The […]

Jeff Ostrowski · March 14, 2021

PDF Download • “O Sacred Head Surrounded” — Twelve Organ Accompaniments

You can’t have too many harmonizations of this piece!

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Fr. David Friel · March 13, 2021

Holy Week Chants • Clergy Training

An introduction to the English chants of Holy Week for clergy

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Jeff Ostrowski · March 12, 2021

11 March 2021 • From Last Sunday…

Like everyone else, we are struggling under the Covid-19 restrictions. The number of singers we’re allowed have has been reduced in a severe way. But we charge forward, trusting in God. Here is a 50-second live excerpt from Mass last Sunday here in Los Angeles. Not many voices, but still beautiful (in my humble opinion).

Jeff Ostrowski · March 12, 2021

Re: Music For Two Voices • “Jam Christe Sol Justitiæ”

Here’s something we tried recently, and I’d be grateful to hear your feedback.

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Jeff Ostrowski · March 11, 2021

“Extra” Offertory & Communion Verses in the Saint Edmund Campion Missal (3rd Edition)

Sophia Institute Press has authorized us to release marvelous secrets about the 3rd edition!

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Andrea Leal · March 9, 2021

PDF Download • EF “Singing Cues” (1-Page Sheet)

Leading music for the Extraordinary Form—Part 3 of a series by Andrea Leal.

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Keven Smith · March 9, 2021

The Anatomy of an Organ Improvisation

Here are some audio samples from recent Masses, along with explanations of what I was thinking for each improvisation.

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Jeff Ostrowski · March 7, 2021

A Beautiful Lenten Hymn • “How It Sounds”

People were asking how it sounds…so here’s a live recording from last week.

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Dr. Charles Weaver · March 7, 2021

Two Recent Talks on the Liturgy

Two of our authors offer thoughts about the meaning of the liturgy within the context of our daily lives.

Jeff Ostrowski · March 5, 2021

4 March 2021 • Can you spare 15 seconds?

Due to Covid-19, California has basically been under “lock down” for 11 months, and these restrictions have had quite a detrimental effect on choral programs. We are frequently limited to just 2-3 singers, on account of regulations by the government and our Archdiocese. However, although the number of singers is quite small, I was struck […]

Jeff Ostrowski · March 4, 2021

Now Online! • “Missale Romanum” (1615 edition)

How ironic that this is being hosted by the Martin Luther University!

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

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  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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