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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2021

Andrea Leal · February 15, 2021

Part 1 • “Starting Your Own Traditional Latin Mass”

Practical advice for how to start a Traditional Latin Mass in your city.

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Jeff Ostrowski · February 15, 2021

15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the […]

Fr. David Friel · February 14, 2021

New Monthly Companion for the Extraordinary Form

“Benedictus: The Traditional Catholic Companion” is an initiative of Sophia Institute Press.

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Jeff Ostrowski · February 14, 2021

PDF: “The Attack On The Vatican Edition: A Rejoinder”

Some readers have had difficulty finding this article, which we scanned and posted circa 2008, so here it is: The Attack On The Vatican Edition: A Rejoinder The Styria Press (Graz and Vienna), 1907. Reprinted in Caecilia, Vol 87, No. 1 (Spring, 1960). The article is by Dr. Peter Wagner, a student of Father Michael […]

Jeff Ostrowski · February 13, 2021

“Homily for Quinquagesima Sunday” (EF) • Father Valentine Young, OFM

Sometimes I think we humans are becoming too smart—perhaps too smart for our own good.

Daniel Tucker · February 13, 2021

“Ad Orientem” Explained

This year, the priest at my parish will be offering the Holy Sacrifice of the Mass ad orientem on Fridays during Lent. I wrote the following “explainer” to help my parishioners understand what’s going on and why.

Jeff Ostrowski · February 11, 2021

PDF Download • 1954 “Bragers Hymnal”—Accompaniment Edition (131 pages)

We have scanned this extremely rare hymnal, granted Imprimatur by Francis Cardinal Spellman on 15 February 1954.

Jeff Ostrowski · February 10, 2021

“Reform of the Reform” • Eight Lies We Were Told

We should evaluate things based on their merit.

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Jeff Ostrowski · February 10, 2021

10 February 2021 • “Follow the text…”

Gregorian Chant does not follow the example of Baroque composers, who strongly emphasize (“slam”) the tonic accent. Cantus Gregorianus has a very sophisticated way of honoring the text—an approach which goes far beyond the “goo goo gah gah” approach of slamming the tonic accent. Thousands of examples in the Gregorian repertoire demonstrate this reality, but […]

Fr. David Friel · February 7, 2021

Musical Notation for New EF Prefaces

Facilitating the chanting of the seven prefaces permitted by “Quo magis”

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Jeff Ostrowski · February 7, 2021

“Homily for Sexagesima Sunday” (EF) • Father Valentine Young, OFM

I had the good fortune of being assigned to the same mission field twice: the first time in 1956 when I was first ordained.

Jeff Ostrowski · February 5, 2021

5 February 2021 • “Tainted”

We have witnessed the downfall of so many “famous” Catholics—including priests—who had pretended to be holy, but were caught committing terrible sins. In a particular way, EWTN was harmed because several of their biggest stars were exposed. I was thinking about whether something holy can be “tainted,” and what that means. Fulton Sheen made mistakes, […]

Jeff Ostrowski · February 4, 2021

Ben Shapiro Teaches His Audience Music Theory!

Also included: “Can amateurs sing polyphony?”

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Jeff Ostrowski · February 4, 2021

3 February 2021 • “Politics”

A recent article—Glaring Omission from Post-Vatican II Lectionary—has generated enormous traffic, and has become one of our most popular articles. During that article, I made reference to our position on “political” articles. If anyone cares to know about my political views, please download: Only In Secret And With Horror. I have explained my views in […]

Keven Smith · February 1, 2021

Looking for a Good Lenten Devotion? Try the Seven Sorrows Rosary

Learn about the amazing promises attached to this venerable devotion.

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

[Let there be:] “The Latin, the whole Latin, and nothing but the Latin.”

— Cardinal McIntyre (one of the Vatican II fathers)

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  • “Dies Irae” • A Monstrous Translation

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