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Views from the Choir Loft

(Ladies Singing Low) • “Adding Fifths Above”

Jeff Ostrowski · January 21, 2021

ISHOP RUDOLF GRABER, who participated in the Second Vatican Council, asked in 1985: “Where do the conciliar texts speak of communion in the hand, for example, or where do they enjoin the so-called altar facing the people, which is scant testimony to that ‘giving perfect glory to God’ which the liturgy constitution says (paragraph 5) is the goal and purpose of worship? The answer is: Nowhere.” From the testimony of Father Robert Skeris, we learn that Graber went on to mention other items in the same category: elimination of the subdiaconate and the four minor orders; the monotonous enumeration of “Sundays in ordinary time”; de facto abandonment of Latin as liturgical language of the western Church; elimination of the second imposition of hands during priestly ordination, and many others. If Bishop Graber (1903-1992) were alive, he might be surprised to see that so many “pre-conciliar” items—Communion under one species and replying AMEN, congregational singing, extraordinary ministers, the congregational Pax, and so forth—have now been forbidden by the same bishops who previously said such items were absolutely crucial.

Covid-19 has caused choirmasters enormous difficulties. Here in Los Angeles, we have been “locked down” since March: restaurants closed, gyms closed, parks closed, nightly police curfew, and so on. There are constant changes to what we are permitted to do. Last Sunday, we sang some plainsong accompanied by the organ. Here’s an excerpt:

*  Mp3 Download • Kyrie IV (excerpt)
—Organ Accompaniment taken from the Saint Edmund Campion Missal.

We tried to add a little “solemnity” to this piece by having the ladies sing a perfect fifth above on every other verse, as you can (marker 0:22) hear:

(That style mimics “organum” but—despite what some erroneously claim—it isn’t. Authentic organum is a mixture of fifths, fourths, and octaves.)

When Does Christmas End?

When does the season of Christmas end? Dom Prosper Guéranger was quite clear: “We apply the name of CHRISTMAS to the forty days, which begin with the Nativity of our Lord, December 25th, and end with the Purification of the Blessed Virgin, February 2nd.” In my article on the difficult Christmas feasts, we spoke about how the Consilium ad Exsequendam Constitutionem de Sacra Liturgia [“Commission to implement the Constitution on the Sacred Liturgy”] could not decide when the Christmas season ended. Bishop Graber spoke of the monotonous enumeration of “Sundays in ordinary time”—that’s because prior to the Second Vatican Council, Sundays had a “marked character” (either post Epiphaniam or post Pentecosten). In the Ordinary Form, “tempus per annum” begins after the Feast of the Baptism of the Lord, and many people think shortening the season of Christmas like that is an impoverishment. As far as the Extraordinary Form is concerned, the season of Christmas lasts until 2 February.

We are not allowed to sing English during the High Mass, so we often sing Latin words to the melodies in the Brébeuf hymnal. Sometimes the Brébeuf Hymnal “demonstrates” how this can be done by providing English and Latin:

Here’s how that piece sounds—recognize the tune?

*  Mp3 Download • Brébeuf Hymn #761
—We are not allowed to sing English during the High Mass.

When it comes to great hymns for Christmas, Epiphany, and Ordinary Time (“per annum”), the Brébeuf hymnal is peerless. If that book had been available when I started as a Church musician, my life would have been so much easier and perhaps I wouldn’t have the physical problems I currently do, which were a result of extreme stress. I cannot think of any Catholic hymnal that comes close to the Brébeuf in terms of quality…it truly is on a pedestal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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