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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veterans Day: Remembering Those Who Made Our Music Possible

Keven Smith · November 9, 2020

HE MAN WHO enabled me to become a church musician was profoundly hard of hearing. I can’t remember a time when I didn’t have to over-enunciate in his presence, even though he was only 54 when I was born.

His 1980s-vintage hearing aids used to whistle sporadically, driving Grandma crazy. “Oh, Paul,” she would admonish (half perturbed, half amused, fully English), “turn your hearing aids down!”

Granddad would fiddle with the devices and then go on being the life of the party, relying heavily on lip-reading to help him along. Minutes later, those hearing aids would whistle again.

How could this man have made my life as a church musician possible? If Granddad and his brave colleagues in the United States Air Force hadn’t landed at Normandy, fascists could have conquered the world. I might not even be alive; tyrants might have slaughtered my Catholic family.

This Veterans Day, as always, I’ll be remembering Granddad.

“Well, Look Who’s Here!”

I’ll also be remembering Grandma. For every soldier, there’s a concerned wife back home taking care of the babies, hoping and praying for good news. But Grandma was even more than that. Before becoming a full-time Mom, she had been a nurse in the Royal Air Force. She met Granddad at a function that brought the U.S. and U.K. troops together.

Grandma was born just six days after Granddad in Chester, England. She never lost her prim accent. When I was a little kid in Phoenix, we used to visit my grandparents every Saturday evening. As soon as we came through the door, Grandma’s chipper voice would ring out, “Well, look who’s here!”

Grandma spent the last few decades of her 96 years in agonizing pain due to a botched hip replacement and the ravages of osteoporosis. She never complained. Whenever I called and asked her directly about her suffering, she’d say, “Oh, well, you know, it’s pretty bad, but….how are you? How is the music going?”

Happy Trails, Dear Grandparents

These two veterans stood up against fascism, which is one reason I’m here today. Another reason was their openness to life as they joyfully raised nine children. But there’s also a musical significance to this story.

Grandma was a performer at heart. Back in high school, she starred as Portia in The Merchant of Venice. She glowed whenever we asked her about it.

Meanwhile, Granddad loved to sing and didn’t let his impaired hearing stop him. When he and Grandma finally moved to Thunderbird Retirement Resort, he was called upon to introduce himself and his bride to their new neighbors. After summarizing their life story and providing stats on their three generations of offspring, he concluded, “And I can sing a little, too!”

He then sang “Happy Trails” but somehow managed to end on the seventh scale degree. (Had he been able to hear well enough to realize this, he wouldn’t have been even mildly embarrassed.)

I’m sure my grandparents passed along many of the traits that have enabled me to make music for God’s glory. Most importantly, though, they passed along their Catholic faith. 

The last time I saw my grandparents, Grandma was in the throes of dementia. I spent a day with them at their retirement home and had nearly the same conversation with Grandma about 30 times. Grandma was still Grandma, but we had to start over every 15 minutes. It was like compressing my entire life to fit into one conversation, one living room. It was a joy.

As afternoon turned to evening, I realized I needed to get going. Moments before I left, I leaned over to my Grandma as she sat in her rocker. I looked right into those Dresden blue eyes, sensing that it would be the last time. “Grandma,” I said, “I know you pray for me and offer up your sufferings for me. And I think that any spiritual progress I’ve made these past few years has happened because you were sitting here in Phoenix, praying Rosaries. So, thank you.”

I could see in her gaze that she understood me—and that, at least for a moment, she could recall the countless hours she had spent in prayer. Her response was unmistakably Grandma. “Oh, well…. I’m happy to do it!”

May my dear grandparents—and all those who fought to keep fascism from reaching our shores—rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: veterans day Last Updated: November 9, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“It is profitable for me that shame hath covered my face so I may seek consolation in Thee rather than in men.” (From the Imitation of Christ by Father Thomas à Kempis)

— Cardinal Merry del Val’s Prayer-Book

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