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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Geeky Virtual Pipe Organ Options

Veronica Brandt · October 29, 2020

Earlier I wrote a little about using GrandOrgue to Make a Digital Piano Sound Like an Organ. This involved using my laptop as a virtual pipe organ. On the one hand, this provided a portable way to bring the sound of a pipe organ into the choir loft, which worked. The downside was that it took a while to set up and made it difficult to practise during the week, when I would use my laptop for other things.

Last year I found a smaller, older laptop to use as a virtual pipe organ, which could be left set up all the time at home. This involved using Aeolus, a smaller program which could run on a less powerful computer. Whereas GrandOrgue and Hauptwerk use samples recorded from real organs, Aeolus generates the sounds itself, combining different frequencies.

As the weather has been warming up here in Australia, I noticed the laptop’s fan coming on, which made me concerned that it would struggle with the heat if I left it on over the summer. I turned to the idea of using an even smaller computer—a Raspberry Pi!

It seems possible to run GrandOrgue on the Raspberry Pi and you can find a script to help you. But the Pi’s rather minimal resources would not be able to handle the more interesting sample sets available, so I was open to alternatives.

A company called Organnery, based in France, offers this demonstration of running a virtual pipe organ with Aeolus on a Raspberry Pi:

Organnery offers prebuilt kits or custom installations from qualified technicians, even adapting existing organs to become midified electronic organs.

For those who may be daunted at the prospect of setting up your own computer, Noel Jones has come up with a pre-packaged Choir Organ, a box which plugs into a midi keyboard and your sound system. I haven’t tried it, but it sounds like it uses similar ideas.

One more alternative is Zynthian – a company offering a very powerful multitimbral synthesizer and audio processor which can also run Aeolus. Like Organnery, it also uses a Raspberry Pi.

Lastly, I stumbled across Box of Stops, yet another Electronic Organ based on the humble Raspberry Pi. This one seems to use much more modern registrations, moving further from the classical pipe organ. The project takes the interesting approach to changing stops by utilizing the touch screen on a phone or tablet connected to the same local area network. This raises the interesting idea of a member of the congregation hacking into the system and changing the registration during a service from their phone.

Finally, here is a short tour of my own current setup. I have two USB MIDI keyboards, an amplifier, two large speakers, qwerty keyboard, monitor and mouse and a Raspberry Pi 3. I also have a pedalboard and bench gleaned from an old Lowrey Promenade. I haven’t connected the pedalboard yet, but this product makes it look possible.

 

I still take my laptop to Mass to bypass the Digital Piano in the choir loft. Having this set up at home has helped make it easier for me to practise as well as providing an accessible means for my children to try it out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pipe Organ, Raspberry Pi Last Updated: December 27, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

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  • “Corn” From Heaven?

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