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Views from the Choir Loft

19 October 2020 • Feast of Father Brébeuf

Jeff Ostrowski · October 19, 2020

Today is the feast of Saint Jean de Brébeuf, Saint Isaac Jogues, and Companions (Ss. Ioannis, Isaaci et Soc. Martyrum). Here is a brief excerpt from his martyrdom in March of 1649:

The Iroquois chose Father Brébeuf and some Hurons for the first torments. Leaping upon him as he prayed, they broke the bones of his hands, tore out his fingernails, and munched on his fingers. When they dragged him to one of the posts, he embraced it and kissed it. Quickly they pulled back his arms and fastened his wrists to the post. They were determined to smash his courage and to make him cry for mercy. They put burning sticks about his feet, ran flaming torches up, down, and between his legs, around his neck, and under his armpits. Puzzled that he neither cried out nor winced, they held the firebrands closer till the skin frizzled, then they slashed his flesh with knives.

Father Brébeuf addressed the captive converts in a strong voice: “My sons, my brothers, let us lift up our eyes to Heaven in our affliction. Let us remember that God is the witness of our sufferings, that very soon He will be our exceedingly great reward. Let us die in our Faith. Let us hope from Him the fulfillment of His promises to us. I have more pity for you than I have for myself. Bear up with courage under the few torments remaining. The sufferings will end with our lives. The grandeur which follows them will never have an end.”

Brébeuf’s tormenters hacked him with hatchets and knives and stabbed him with javelin heads. “Jesus, have mercy on us” was the only cry that came from his lips; it was re-echoed by the Christian Hurons.

Incensed by his defiance, the Iroquois cut away his lower lip and thrust a red-hot iron down his throat. As the indomitable priest still stood tall and voiced no sound of pain—no plea for mercy—they tried other means. They brought forth young Lalemant, that Brébeuf might see them torture him. They had fastened strips of bark, smeared with pitch, about Gabriel’s naked body. When the young priest saw the burnt and bleeding body of his superior, aghast and trembling Lalemant spoke the words of St. Paul: “We are made a spectacle to the world, to angels and to men.”

Saint Jean de Brébeuf, pray for us!

Saint Gabriel Lalemant, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 26, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“To speak the language of God’s beauty, we must first begin to listen. And to listen, we must have silence in our lives. I pray that God will open our eyes and ears to beauty, and help us use it in the service of the Truth.”

— Bishop James D. Conley (10/4/2013)

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