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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Order of the Mass without a Congregation” (1970)

Andrea Leal · September 12, 2020

NE OF THE CONTROVERSIES during the 1960s, now long-since forgotten, was the question of whether the private Masses of a priest could be said in the vernacular. The Second Vatican Council had declared as follows: “since the use of the mother tongue…frequently may be of great advantage to the people, the limits of its employment may be extended.” Although the Council had declared that the use of the Latin language was to be preserved in the Latin rites, (see Section 36.1) the reformers probably realized that once the Mass was in the vernacular, it would only be a matter of time before even private Masses would be changed to the vernacular.

I thought about this when I came across this interesting document from 1970 for Masses without a congregation:

*  PDF Download • Order of Mass (1970)
—NIHIL OBSTAT by Daniel V. Flynn; IMPRIMATUR by Joseph P. O’Brien.

In case somebody couldn’t download the PDF file, here are some screenshots:

74697-ORDER-of-Mass-1970
74697-ORDER-of-Mass-1970-B
74697-ORDER-of-Mass-1970-C

A few months ago, there was a controversy involving plagiarism, “ad orientem” celebration, and the Most Reverend Peter Christensen (Bishop of Boise, Idaho). Without rehashing the entire controversy, one of the false statements Bishop Christensen made—which was actually plagiarized from a priest named Fr. Paul Turner—is as follows:

“There has been an attempt to justify the ad orientem practice because the Order of Mass indicates places when the priest should face the people. (However, it never asks him to turn away, [!!!] as the preconciliar Missal did.)”

Articles by my colleagues have demonstrated the above statement is false; but it is interesting that the “Order of the Mass Without a Congregation” does actually tells the priest when he should face the Altar and when he not should face the Altar. This just goes to show that you cannot just take everything you find on the Internet at face value. Question everything, and whenever possible, go directly to the source.

As an aside, for those interested in the restoration of the Traditional Mass, it is important to remember that there are in fact small steps that can be taken to move towards a Mass which is more traditional in it’s expression. For example, although today Las Vegas has the Extraordinary Form, it was not always so. Before it was the EF, it was first a Novus Ordo Mass in Latin, ad orientem. The Novus Ordo in the vernacular but celebrated ad orientem is a simple but profound way to return focus to Christ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Ad Orientem, Bishop Peter Christensen Last Updated: September 12, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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