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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Order of the Mass without a Congregation” (1970)

Andrea Leal · September 12, 2020

NE OF THE CONTROVERSIES during the 1960s, now long-since forgotten, was the question of whether the private Masses of a priest could be said in the vernacular. The Second Vatican Council had declared as follows: “since the use of the mother tongue…frequently may be of great advantage to the people, the limits of its employment may be extended.” Although the Council had declared that the use of the Latin language was to be preserved in the Latin rites, (see Section 36.1) the reformers probably realized that once the Mass was in the vernacular, it would only be a matter of time before even private Masses would be changed to the vernacular.

I thought about this when I came across this interesting document from 1970 for Masses without a congregation:

*  PDF Download • Order of Mass (1970)
—NIHIL OBSTAT by Daniel V. Flynn; IMPRIMATUR by Joseph P. O’Brien.

In case somebody couldn’t download the PDF file, here are some screenshots:

74697-ORDER-of-Mass-1970
74697-ORDER-of-Mass-1970-B
74697-ORDER-of-Mass-1970-C

A few months ago, there was a controversy involving plagiarism, “ad orientem” celebration, and the Most Reverend Peter Christensen (Bishop of Boise, Idaho). Without rehashing the entire controversy, one of the false statements Bishop Christensen made—which was actually plagiarized from a priest named Fr. Paul Turner—is as follows:

“There has been an attempt to justify the ad orientem practice because the Order of Mass indicates places when the priest should face the people. (However, it never asks him to turn away, [!!!] as the preconciliar Missal did.)”

Articles by my colleagues have demonstrated the above statement is false; but it is interesting that the “Order of the Mass Without a Congregation” does actually tells the priest when he should face the Altar and when he not should face the Altar. This just goes to show that you cannot just take everything you find on the Internet at face value. Question everything, and whenever possible, go directly to the source.

As an aside, for those interested in the restoration of the Traditional Mass, it is important to remember that there are in fact small steps that can be taken to move towards a Mass which is more traditional in it’s expression. For example, although today Las Vegas has the Extraordinary Form, it was not always so. Before it was the EF, it was first a Novus Ordo Mass in Latin, ad orientem. The Novus Ordo in the vernacular but celebrated ad orientem is a simple but profound way to return focus to Christ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Ad Orientem, Bishop Peter Christensen Last Updated: September 12, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

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