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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

That Little Tabernacle Light

Corrinne May · August 5, 2020

CYCLED about 20 minutes from my home to the church of the Blessed Sacrament the other evening, hoping to catch a glimpse of my Beloved in the Tabernacle. I reached the church and found the gate unlocked, but the church was closed and the doors of the church were locked due to restrictions imposed in the wake of the coronavirus pandemic. I walked around the outside perimeter of the brick church building. It was all dark within the church. But I knew that if I could just spot that little tabernacle light, I would be able to know that the Lord was close by.

It was pitch-black in the church and I walked all around, peeking through every narrow window I could find. But I still could not spot the tabernacle light. “Where are you Lord? Are you there?” I pleaded. Finally, behind a statue on the far side of the building, I looked through the small narrow slots of the window and I spotted the familiar red light, pulsing away in the darkness. “There you are Lord!” Tears streamed down my face. I knew that the Lord was close to the red tabernacle light, and even though I could not see the tabernacle in the darkness of the church, my heart was satisfied that I had found my Lord.

I have come to realise that we are all called to be that little tabernacle light. Especially in this day and age where so many cannot see Our Lord because of the coronavirus shuttering our churches. We are that tabernacle light for the world to see, for even though the world does not see or know Him, we do. We are the people of whom He spoke the words “Blessed are those who have not seen and yet believe.” (John 20:29)

Masses are still suspended at this point in time in Singapore and they have been suspended since mid-February. Many of the faithful here have not partaken of the Eucharist for many, many months. The churches have just started re-opening for private worship, but even then, only a small number of people are allowed to be before the Lord. It is hard when we cannot see Him, feel Him or partake of Him in Holy Communion. The Eucharist is hidden from us. But, the Body of Christ is not.

We are the Body of Christ. That knowledge has enlivened me, knowing that He walks among us. And this thought has been on my heart: “How am I to point the way to Him, the way that the tabernacle light points the way to Him?”

The world cannot see His Sacred Heart, 1 but they can see our hearts, like that candle, pulsing with love for Him. Is my heart and my love for the Lord on fire, just like that candle that faithfully glows and pulses beside the tabernacle? Am I willing to melt away with the fire of that love, the way His Heart melted away for me upon that cross? Am I willing to be that little tabernacle candle that burns itself out with the fire it’s been kindled with?

Lord, set our hearts aflame
with love for You,
that we may truly be
your Light in the world.

ADDENDUM: In the time which has elapsed since I wrote this article, Singapore has begun (somewhat) to resume Masses over the past month, with limits on how often the laity can attend. Right now, the quota is one weekend Mass per month, with a limit of 50 parishioners at each Mass. So churches are gradually opening up, but many adoration chapels remain closed and churches still have limited Mass times. Masks are mandatory and communion is restricted to reception in the hand, which I am truly sad about, but I’m hoping measures will ease and allow for reception on the tongue as soon as possible.

 


NOTES FROM THIS ARTICLE:

1   This calls to mind a beautiful hymn from the 12th century: Lux Alma, Jesu, Mentium. In the Brébeuf hymnal it is #746, and a literal translation is provided. The third verse is quite beautiful: “How happy the man that is host to You, for You are the companion of the Father at His right hand. You are the light that consoles heaven, but is unseen by man on earth.” The Brébeuf hymnal includes a metrical version by Saint John Henry Cardinal Newman, who renders that verse as follows:

Joyous is he, with whom,
God’s Word, Thou dost abide;
Sweet Light of our eternal home,
To fleshly sense denied.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: August 5, 2020

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)

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