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Views from the Choir Loft

Archives for June 2020

Keven Smith · June 9, 2020

Real Life in a Large Church Choir Program (Part 1)

At St. Stephen the First Martyr Church in Sacramento, the road to the choir loft begins at age four and is paved with furry puppets.

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Fr. David Friel · June 7, 2020

A Verse for Trinity Sunday

Herbert’s poem praises the Trinity both by its text and through its form.

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Guest Author · June 7, 2020

“Comparison” • 15 Traditional Catholic Hymnals

Covid-19 has forced many parishes to remove all hymnals from their pews: A perfect opportunity for change!

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Andrea Leal · June 7, 2020

Brébeuf Virtual Choir Strikes Again!

These kids just can’t be stopped—including two amazing surprises.

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Jeff Ostrowski · June 5, 2020

Pentecost Melody Added

Let it be known: I have added the Pentecost melody (“Veni Creator Spiritus”) to the Seasonal Benediction website. I am slowly adding all the different melodies for the “O Salutaris Hostia”—so we can be seasonally appropriate during Benediction of the Blessed Sacrament.

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Jeff Ostrowski · June 4, 2020

PDF Download • 17 Organ Accompaniments for the simple “Salve Regina”

Potiron, Ostrowski, Bragers, Marier, Desrocquettes, Murray, and more!

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Fr. David Friel · June 2, 2020

Liturgical Challenges Presented by COVID-19 • A Triptych via Zoom

A webinar series exploring the liturgical, theological, and pastoral implications of this pandemic.

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Dr. Lucas Tappan · June 2, 2020

The Art of Improvisation

In all my life I don’t think I have ever heard it mentioned that the art of improvisation, done well, ranks alongside the greatest works of Palestrina or Mozart.

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Keven Smith · June 1, 2020

How to Get Better at Chant Without Opening Your Mouth

It’s a singular joy to make music, but as we all know, it’s the behind-the-scenes work that makes our rendition of the music truly special—all to the glory of God and the edification of His faithful.

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Jeff Ostrowski · June 1, 2020

This World Does Not Always Reward Virtue

Nor does this world always punish vice.

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Andrea Leal · June 1, 2020

Troubleshooting Gregorian Chant

Does your chanting need a simple tune-up or a whole engine rebuild? Let’s take a look under the hood.

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The chapter orders that only grandees (and their immediate relatives), counts, marquises, and provincial governors may in future enter the choir enclosure during divine service: such a restriction being imposed so that quiet can be the better maintained during cathedral solemnities.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (25 May 1558)

Recent Posts

  • “Ad Orientem” • Six (6) Post-Conciliar Quotes
  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings

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