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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Silence and The Thoughts of His Heart

Richard J. Clark · June 19, 2020

HERE HAS BEEN been too much hurt and suffering in the world to express anything adequately in words. There is societal and personal pain, grief in the music world, challenge in our liturgical and sacramental life.

Our souls are hurting and in crisis.

I am reminded of the need for silence: “Music arises out of silence and returns to silence…The importance of silence in the Liturgy cannot be overemphasized. (§118. Sing to the Lord: Music in Divine Worship)

I have no words.

I LEAVE YOU WITH TWO instrumental works upon which to meditate, first, an organ work based on the Introit to the Solemnity of the Sacred Heart of Jesus: The Thoughts of His Heart.

The second is a four-movement meditation on Psalm 139 Fearfully and Wonderfully Made with Richard Kelley, trumpet. This work will be published with WLP/G.I.A. You’ll notice the Covid-19 spacing in our informal video.

Wishing you peace and love,
Richard



Fearfully & Wonderfully Made
I. Lord, You Have Searched Me
Psalm 139:1 Lord, you have searched me, you know me.



II. You Know When I Sit and When I Arise.
139:2 You know when I sit and when I arise; you know my thoughts, even from afar.



III. Where Can I Flee from Your Presence?
Psalm 139:7 Where can I run from your spirit or where can I flee from your presence? If I should go to the heavens, there you are; if I sleep in the depths, you are also there.



IV. I Am Fearfully and Wonderfully Made
Psalm 139:14 I praise you, for I am fearfully and wonderfully made. All your works are wonderful; this I know full well.



Recorded at the Cathedral of the Holy Cross, Boston

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 26, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

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  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

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