New Work from Paul Jernberg
The composer has begun a new and worthwhile blogging project.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
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Educators who seek to shape students in both wisdom and virtue, and who share the belief that music and aesthetics play an integral part in the content of a Catholic liberal arts education should apply.
Woo Hoo! The preëminent conference for Church musicians announces dates for its fifth year!
Is there a “jail” for people who change the official edition of Gregorian Chant?
If we want young people to help restore and promote sacred music, we must get beyond the “what” and the “how” and dig in to the “why.”
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Our choirs should not sound mechanical. Beautiful music its waiting to be discovered.
Jeff’s recent post made me think that perhaps a recap of all the events so far at Westminster Cathedral would be helpful to readers.
My friend, Richard J. Clark, sent me a screenshot from the “Catholic Organist Group.”
Only an insane person would post this publicly—but I “fit the bill”…so here goes!
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The resignation of Martin Baker was quite a shock to the Catholic world.
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Dr. Terry says: “The melody must be clearly defined, free from triviality and trite clichés, avoiding harmonies that are sugary or sensuous.”
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There is no excerpt because this is a protected post.
Everyone is searching for a silver bullet. Perhaps it’s a certain education method, a special book or a technique. Standing somewhat in opposition to all of these various techniques and methods is the English choir school, where the director stands in front of the boys and says “that’s an A, now sing it!”
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The 2nd part has blank staves, so you can compose your own harmonies!
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