• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Revealed! • A Fascinating Mass Rubric Very Few Know

Jeff Ostrowski · September 7, 2019

HE COMMITTEE which worked for five years to produce the Saint Jean de Brébeuf Hymnal was quite a diverse group. Some were laymen, others were priests—and most of our time was spent examining hymn texts and tunes. One of the members discovered an intriguing rubric that was still “on the books” much later most authors realize. As late as 1957, the Roman Missal contained this rubric:

Minister autem dextera manu tenens
vas cum vino et aqua, sinistra vero mappulam,
aliquanto post Sacerdotem eis porrigit purificationem,
et mappulam ad os abstergendum.

The Server, however, holding in his right hand
a vessel with wine and water, and in his left a napkin,
a little behind the Priest proffers them

[i.e. the communicants] the purification,
and the napkin to wipe their mouths.

That’s correct: An altar boy followed the priest, giving water and wine to those who have just received Holy Communion.

The member of our committee who discovered this is very smart and very honest. Nevertheless, you can verify the truth of his discovery by a Google search. (Don’t look in the 1962 edition, because this rubric was removed.) I know many liturgical blogs, but I am not aware of any author who has spoken about this rubric. However, Fr. Herbert Thurston (d. 1939)—a friend of Fr. Adrian Fortescue—was certainly aware of this rubric. His 1911 article is encyclopedic:

* *  PDF Download • Article by Fr. Herbert Thurston, SJ (1911)

Here’s an excerpt from his article:

82760 HERBERT THURSTON

An article from 1943 rightly says:

The Ritus Servandus, we may here remind ourselves, still preserves the medieval direction that the server follow the priest, as he distributes Communion, in order to give each communicant a sip of wine and water. How surprised people would be next Sunday to see the direction being carried out!

Please read two pages from an 1883 article by Fr. James O’Kane:

* *  PDF Download • Article by Fr. James O’Kane (1883)

Fr. O’Kane explores whether the rubric can lawfully be ignored. He also discusses where the practice has fallen into disuse and where it has not—giving the following reasons for why it became unpopular:

“…the danger of effusion, the poverty of the churches, the difficulty of presenting it to each when there is a crowd of communicants, the nausea some would feel, and so on.”

I mentioned how a member of the Brébeuf committee made this discovery. He told me that he saw this practice observed when he was ordained.

We must be very careful when it comes to the Sanctissimum. For many years, I have encouraged my choir members to drink water after receiving Holy Communion, although the current rubrics only require the celebrant to do so. In very old Catholic Churches (going 1,000+ years) there are fountains near the front which used to be filled with water, so the faithful could drink immediately after receiving Holy Communion. Nevertheless, Fr. Herbert Thurston was probably correct to write, in 1911:

“Nay more, I will go so far as to say that if any priest did carry out the rubric in question, he would—at an early date—have his attention called to the matter by his Bishop, and would be reminded that it was not for private individuals to revive obsolete observances, when they have been suffered to fall into desuetude by a Church fully competent to enforce her own enactments if she wishes to do so.”

UPDATE: We have been notified that three (3) days after our discovery, the blog of the Church Music Association of America has written an article commenting on this discovery.


NOTES FROM THIS ARTICLE:

1   We desire to thank Berthold Kress, who found the image (see above) and posted it as part of a magnificent collection.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Last Updated: January 1, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Now we are aware of the fact that during recent years some artists, gravely offending against Christian piety, have dared to bring into churches works devoid of any religious inspiration and completely at variance with the right rules of art.”

— Ven. Pope Pius XII (25 December 1955)

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up