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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When “Textbooks” Don’t Cut It

Veronica Moreno · June 21, 2019

83941 ver0 HREE CHILDREN sit tamely on the couch. The baby crawls around looking for things to taste…errr explore. But the two-year-old, she can’t sit beyond 12 seconds. Soon she’ll be on the floor with a Shopkin’ or a peg doll. During this, she’ll be “quieter”—because this is our “morning time,” the start of our homeschooling day.

To the casual observer, she is quietly playing, but looking closer, this little sponge is whispering. She’s following along with our prayers! A few minutes later, when her seven-year-old brother recites “Hope is the thing with feathers” by Dickinson, there is no doubt you will hear her little high-pitched voice whisper, “that perches in the soul.”

This routine has taken years to establish. When we decided to homeschool, there was no one to guide us. We felt absolutely alone in our choice to be Catholic homeschoolers. No family member or friend had done something so drastic as to take their child out of traditional schooling. We were both teachers, but our experience was only in the traditional systems. Of course, the internet search made things better, and soon we were ordering and receiving the “boxed curriculum.”

83940 ver0 OUR FIRST TWO, we homeschooled from the “curriculum.” In a way, buying the box was a little like buying what the traditional schools buy, doing what regular schools do. Our days looked “traditional”: adult teaches, child reads the lesson, some interaction to clarify what might confuse, and the child finishes the practice worksheet. If the twenty-five addition problems were unfinished or had many mistakes, I’d feel we’d failed for the day.

Yet as I continued to research in those first two years, a group of educational practices caught my attention. I learned to think “outside the box”. Without delving into the pedagogical details, I decided to transition into a “Charlotte Mason inspired” philosophy or curriculum. 1

Our “textbooks” weren’t cutting it. I needed to bring the most worthy texts, the most beautiful words, the most melodious songs, the brightest pictures, the most moving poems. Beauty was to be our teacher, and she is what their senses would devour. So in our third year of homeschooling, we did not buy a textbook-based, boxed curriculum, but instead we created a “feast of living books” about the subjects we needed to explore.

This is how we began to create a truly different type of homeschool, where our morning routine with Shopkin’ girl and the other four children became the anchor and launch of our day. We already had opening prayers and salutes, now we needed to add “the riches.” From now on, we would always have “a banquet.”



NOTES FROM THIS ARTICLE:

1   This meant many changes to the daily instructional routine, but what is most pertinent to this blog post is that it introduced me to the idea that every single text that my children consume and learn from—the literature and science and history—should be “a continual holiday to their door” or better yet, that I should only present “before them a feast, exquisitely served.”

Our focus in sharing this isn’t the pedagogy of homeschooling, but how that philosophy intersects with beauty, art, music, and the faith. There are many resources to learn about “living books” and Charlotte Mason. The quotes are from Mason’s six-volume series about education.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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