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Views from the Choir Loft

When “Textbooks” Don’t Cut It

Veronica Moreno · June 21, 2019

83941 ver0 HREE CHILDREN sit tamely on the couch. The baby crawls around looking for things to taste…errr explore. But the two-year-old, she can’t sit beyond 12 seconds. Soon she’ll be on the floor with a Shopkin’ or a peg doll. During this, she’ll be “quieter”—because this is our “morning time,” the start of our homeschooling day.

To the casual observer, she is quietly playing, but looking closer, this little sponge is whispering. She’s following along with our prayers! A few minutes later, when her seven-year-old brother recites “Hope is the thing with feathers” by Dickinson, there is no doubt you will hear her little high-pitched voice whisper, “that perches in the soul.”

This routine has taken years to establish. When we decided to homeschool, there was no one to guide us. We felt absolutely alone in our choice to be Catholic homeschoolers. No family member or friend had done something so drastic as to take their child out of traditional schooling. We were both teachers, but our experience was only in the traditional systems. Of course, the internet search made things better, and soon we were ordering and receiving the “boxed curriculum.”

83940 ver0 OUR FIRST TWO, we homeschooled from the “curriculum.” In a way, buying the box was a little like buying what the traditional schools buy, doing what regular schools do. Our days looked “traditional”: adult teaches, child reads the lesson, some interaction to clarify what might confuse, and the child finishes the practice worksheet. If the twenty-five addition problems were unfinished or had many mistakes, I’d feel we’d failed for the day.

Yet as I continued to research in those first two years, a group of educational practices caught my attention. I learned to think “outside the box”. Without delving into the pedagogical details, I decided to transition into a “Charlotte Mason inspired” philosophy or curriculum. 1

Our “textbooks” weren’t cutting it. I needed to bring the most worthy texts, the most beautiful words, the most melodious songs, the brightest pictures, the most moving poems. Beauty was to be our teacher, and she is what their senses would devour. So in our third year of homeschooling, we did not buy a textbook-based, boxed curriculum, but instead we created a “feast of living books” about the subjects we needed to explore.

This is how we began to create a truly different type of homeschool, where our morning routine with Shopkin’ girl and the other four children became the anchor and launch of our day. We already had opening prayers and salutes, now we needed to add “the riches.” From now on, we would always have “a banquet.”



NOTES FROM THIS ARTICLE:

1   This meant many changes to the daily instructional routine, but what is most pertinent to this blog post is that it introduced me to the idea that every single text that my children consume and learn from—the literature and science and history—should be “a continual holiday to their door” or better yet, that I should only present “before them a feast, exquisitely served.”

Our focus in sharing this isn’t the pedagogy of homeschooling, but how that philosophy intersects with beauty, art, music, and the faith. There are many resources to learn about “living books” and Charlotte Mason. The quotes are from Mason’s six-volume series about education.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

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