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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When “Textbooks” Don’t Cut It

Veronica Moreno · June 21, 2019

83941 ver0 HREE CHILDREN sit tamely on the couch. The baby crawls around looking for things to taste…errr explore. But the two-year-old, she can’t sit beyond 12 seconds. Soon she’ll be on the floor with a Shopkin’ or a peg doll. During this, she’ll be “quieter”—because this is our “morning time,” the start of our homeschooling day.

To the casual observer, she is quietly playing, but looking closer, this little sponge is whispering. She’s following along with our prayers! A few minutes later, when her seven-year-old brother recites “Hope is the thing with feathers” by Dickinson, there is no doubt you will hear her little high-pitched voice whisper, “that perches in the soul.”

This routine has taken years to establish. When we decided to homeschool, there was no one to guide us. We felt absolutely alone in our choice to be Catholic homeschoolers. No family member or friend had done something so drastic as to take their child out of traditional schooling. We were both teachers, but our experience was only in the traditional systems. Of course, the internet search made things better, and soon we were ordering and receiving the “boxed curriculum.”

83940 ver0 OUR FIRST TWO, we homeschooled from the “curriculum.” In a way, buying the box was a little like buying what the traditional schools buy, doing what regular schools do. Our days looked “traditional”: adult teaches, child reads the lesson, some interaction to clarify what might confuse, and the child finishes the practice worksheet. If the twenty-five addition problems were unfinished or had many mistakes, I’d feel we’d failed for the day.

Yet as I continued to research in those first two years, a group of educational practices caught my attention. I learned to think “outside the box”. Without delving into the pedagogical details, I decided to transition into a “Charlotte Mason inspired” philosophy or curriculum. 1

Our “textbooks” weren’t cutting it. I needed to bring the most worthy texts, the most beautiful words, the most melodious songs, the brightest pictures, the most moving poems. Beauty was to be our teacher, and she is what their senses would devour. So in our third year of homeschooling, we did not buy a textbook-based, boxed curriculum, but instead we created a “feast of living books” about the subjects we needed to explore.

This is how we began to create a truly different type of homeschool, where our morning routine with Shopkin’ girl and the other four children became the anchor and launch of our day. We already had opening prayers and salutes, now we needed to add “the riches.” From now on, we would always have “a banquet.”



NOTES FROM THIS ARTICLE:

1   This meant many changes to the daily instructional routine, but what is most pertinent to this blog post is that it introduced me to the idea that every single text that my children consume and learn from—the literature and science and history—should be “a continual holiday to their door” or better yet, that I should only present “before them a feast, exquisitely served.”

Our focus in sharing this isn’t the pedagogy of homeschooling, but how that philosophy intersects with beauty, art, music, and the faith. There are many resources to learn about “living books” and Charlotte Mason. The quotes are from Mason’s six-volume series about education.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

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