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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2019

Dr. Lucas Tappan · June 25, 2019

In Search of the Deeper Meaning

I have heard it said that magic shows up at every concert but usually goes home disappointed.

Veronica Moreno · June 21, 2019

When “Textbooks” Don’t Cut It

This routine has taken years to establish.

Jeff Ostrowski · June 19, 2019

Symposium Booklets Have Arrived!

Anyone can write articles saying: “Church music must improve”—but actually getting one’s hands dirty? That’s different…

Dr. Lucas Tappan · June 18, 2019

Fr. Finn and the Catholic Choral Tradition in America

Nevertheless, we have had, and quite frankly still have, a number of fine choirs, conductors and organists that I would place on par and even above our European brethren.

Corpus Christi Watershed · June 17, 2019

Professional Photographs • Saint Isaac Jogues Missal

This pew Lectionary & Missal is changing the way Catholics experience the Ordinary Form.

Fr. David Friel · June 16, 2019

Solemn Novena for Our Lady of Mt. Carmel

This year’s preacher will be Fr. James Gordon, F.S.S.P.

Veronica Moreno · June 14, 2019

Homeschooling (And Sacred Music) Snuck Up On Us

In this way, we keep the faith alive at the kitchen table and at the altar.

Jeff Ostrowski · June 12, 2019

PDF Download • Symposium Booklet (159 pages)

…probably unlike any musical booklet you’ve come across!

Jeff Ostrowski · June 11, 2019

Secrets Revealed

…perhaps more slowly than one would prefer, but finally the secret is beginning to leak!

Jeff Ostrowski · June 10, 2019

PDF Download • Vespers Organ Accompaniments

Do you understand why some of the harmonies are blank?

Fr. David Friel · June 9, 2019

The Magnificat Institute of Sacred Music

A new undertaking of composer Paul Jernberg

Veronica Brandt · June 8, 2019

Shortcuts with GrandOrgue

Setting up keyboard shortcuts to setting the stops on a virtual pipe organ using the free software GrandOrgue.

Jeff Ostrowski · June 7, 2019

Where Did “Do-Re-Mi” Come From?

A concise and clear explanation from a 1957 book…

Andrew Leung · June 6, 2019

Photos • 1985 Ordination in China

Old photos of an ordination in Shanghai in 1985.

Jeff Ostrowski · June 4, 2019

PDF Download • “Magnificat” + Rehearsal Videos!

“You think I’m kidding, but I’m not. I know of no greater piece than this.” —Jeff Ostrowski

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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