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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Turns at Benediction

Fr. David Friel · April 8, 2018

HEN giving benediction, the question sometimes arises among clerics of which direction to turn when lifting the monstrance from the altar and returning it there. The question does not apply when benediction is given while standing behind the altar, as is commonly done nowadays. Standing before the altar, however, raises the question of whether the presiding cleric should turn to his left or his right at two points: 1) when lifting the monstrance from the tabor, and 2) when replacing the monstrance upon the tabor.

Recently, I was interested to learn that O’Connell and Schmitz address this question directly in their Book of Ceremonies. With respect to the first turn, the correct method is always to approach the altar, lift the monstrance, and turn to the right.

For the second turn, O’Connell and Schmitz use a footnote to describe three potential methods, giving priority to the first:

There are three approved ways of placing the monstrance back on the altar after the Blessing. The most acceptable way—when the C[elebrant] is assisted by the D[eacon] or priest—is given above [to turn left to the altar after having given the blessing]. . . . Another accepted way is to place the monstrance on the altar immediately after completing the first swing to the right, i.e., to complete the circle as at the Orate, fratres. A third acceptable way is to return the monstrance to the center before the breast, after having completed the first swing to the right, pause momentarily, then turn right again, and place it on the altar. 1

In the Philadelphia area, we have a local custom of appending a short, devotional prayer to the end of the Divine Praises recited at benediction. The prayer is as follows:

May the heart of Jesus, in the Most Blessed Sacrament, be praised, adored, and loved at every moment, in all the tabernacles of the world, even until the end of time!
Amen.




NOTES FROM THIS ARTICLE:

1   Laurence J. O’Connell and Walter J. Schmitz, The Book of Ceremonies, rev. ed. (Milwaukee: Bruce, 1956), 377, footnote 68.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People, Versus Populum Altars Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Each of our sins was one more thorn in our Lord’s crown; one blow the more to His scourging.”

— Cardinal Merry Del Val (shortly before his death)

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