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Views from the Choir Loft

Archives for January 2018

Fr. David Friel · January 31, 2018

Sacra Liturgia 2019 in Toronto

Dates for the next Sacra Liturgia conference have just been announced.

Andrew Leung · January 30, 2018

Cardinal Zen’s Open Letter

Cardinal Zen explaining the current situation of the Church in China.

Dr. Alfred Calabrese · January 30, 2018

Repetition at the School Mass: “Do it again!”

Grown up people are not strong enough to exult in monotony.

Jeff Ostrowski · January 28, 2018

PDF Download • “Agnus Dei” … for Lent

…including rehearsal videos for each individual voice!

Fr. David Friel · January 28, 2018

The Hillbilly Thomists

A New Dominican CD

Veronica Brandt · January 27, 2018

Can You Sing Along to Monks?

A video to supplement our local choir practices – a quick run through Missa Orbis Factor (also known as Mass XI) – the Gregorian Mass setting for Sundays during the year.

Jeff Ostrowski · January 26, 2018

Septuagesima Sunday (Extraordinary Form)

“The groans of death surround me, the sorrows of hell encompassed me…”

Andrew Leung · January 25, 2018

FREE • Chant Conducting Seminar

Register now!!! Free online seminar on Gregorian Chant Conducting with Dr. Jennifer Donelson

Jeff Ostrowski · January 24, 2018

English Prayers at EF Mass • How old are they?

The English translation memorized by “Latin Mass” Catholics goes back centuries!

Dr. Lucas Tappan · January 23, 2018

Forward, Ever Forward!

One day, God willing, when He calls you into the New and Eternal Jerusalem, you will discover the eternal consequences of the offering of your widow’s mite.

Jeff Ostrowski · January 22, 2018

PDF Download • Dom Pothier Biography (1947)

“Dom Pothier himself acted as an illustrator, decorating his work with vignettes, illuminated capitals, tailpieces, even full-page illustrations representing the mysteries of the Annunciation and Christmas.”

Fr. David Friel · January 21, 2018

Dedication of the Cathedral Basilica of Mary, Queen of the World

Three new choral works featured during this celebration on 13 October 2017.

Jeff Ostrowski · January 19, 2018

PDF • “Hosanna” Catholic Hymnal (285 Pages)

“Many choirs of children still use hymnals that are wretched from a musical and ecclesiastical standpoint…” —Fr. Ludwig Bonvin

Richard J. Clark · January 19, 2018

Two Choral Works and Propers for Lent

Chant-based works for Lent

Jeff Ostrowski · January 18, 2018

3rd Sunday after Epiphany (Extraordinary Form)

“…and behold a leper came and adored Him, saying, Lord, if Thou wilt Thou canst make me clean.”

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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