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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Arvo Pärt received the Ratzinger Prize

Andrew Leung · November 23, 2017

CTL Arvo Part Ratzinger Award 1 FEW WEEKS AGO, I had the opportunity to sing in a concert under Peter Philips’ direction. In that program was three pieces by the Estonian composer, Arvo Pärt. I sang his music (Berliner Messe) for the first time when I was a freshmen in college and it was very nice to be able to sing in his unique “Tintinnabuli“, or bell-like, style again after so many years (we did Magnificat, Nunc Dimittis and Tintinnabuli).

Arvo Pärt is one of the winners of this year’s Ratzinger Prize, which is often regarded as the Nobel Prize in the field of theology. The Ratzinger Foundation awards was created in 2011 to recognize the work of academics in theology, whether they are Catholic or not. Before this award, Pärt also received a honorary doctorate in sacred music by the Pontifical Institute of Sacred Music and was nominated by Benedict XVI, member of the Pontifical Council for Culture.

Pärt is an Orthodox and one of the most-recognized composers in the area of sacred music. He is a very spiritual person and has great love for the liturgy, just like Pope Benedict. I shared a video of him earlier this year and it shows that Pärt is very deeply rooted in the faith. He and the other award winners were received by Pope Emeritus Benedict XVI himself on November 17; and the prize was presented to him by Pope Francis at the Apostolic Palace on the following day.

Cardinal Gianfranco Ravasi, president of the Pontifical Council for Culture and a member of the Ratzinger Foundation said this about Arvo Pärt at a press conference:

“He is the greatest living contemporary musician, with an immense and extraordinarily high production, able to combine the great legacy of the past, including Gregorian chant, with today’s new musical grammar. A beautiful choice, that of the commission, aimed at pointing out that new way for theology that is music”


Photo credit: Arvo Pärt Centre

Pärt said in his vote of thanks later that evening:

“I am personally very touched and grateful – especially to you, the members of the Joseph Ratzinger or Pope Benedict XVI Foundation – for this trust and honor. However, it is not an easy task to remain worthy of this honor as a human being. It is a great challenge. We are not dealing here with an ordinary merit that one could use to boast.

Dear brothers, we need your help, please don’t leave us alone now. This is what we plead from you.”

And here is a work by Pärt, Cecilia, Vergine Romana performed at the Concert in honor of the Holy Father in 2011.


Happy belated Feast Day!!! St. Cecilia, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“We being many are one bread and one body, All who share the one bread and one cup. Vs. Thou hast prepared of thy sweetness for the poor, O God, who makest us to dwell in one mind in thy house. All who share the one bread and one cup.”

— Responsory (Matins for Corpus Christi) transl. by Fortescue

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