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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Reflections of a Papal Master of Ceremonies

Fr. David Friel · June 12, 2017

ULL-TIME graduate studies have left me little time for non-assigned readings over the last year. Nevertheless, I took advantage of a free evening last week to read a short book that I only recently discovered. A collection of writings by Msgr. Guido Marini, the book is entitled Liturgical Reflections of a Papal Master of Ceremonies.

This slim volume (111 pages) gathers together a number of essays composed by Msgr. Marini during his time as Master of Pontifical Liturgical Celebrations, a post he has held since 2007. Collected and translated by Rev. Nicholas Gregoris of Newman House Press, these essays offer insights into the theological outlook of Msgr. Marini and his rationale for a variety of papal liturgical practices. Msgr. Marini continues to serve as papal MC for Pope Francis, but these essays, published in 2011, pertain more directly to the pontificate of Pope Emeritus Benedict XVI.

Concerning his role as papal master of ceremonies and the consequent meaning of his own liturgical reflections, Msgr. Marini writes this:

I consider it a pleasant and urgent duty for me to be the faithful interpreter and echo of his authoritative liturgical orientation, which does not pertain to the realm of “personal taste” (although such personal taste is more than respected while not necessarily shared by all), but rather to a true and proper Magisterium to be shared with a spirit of faith and a genuine ecclesial sense. (Guido Marini, Liturgical Reflections of a Papal Master of Ceremonies, trans. Nicholas I. Gregoris [Pine Beach, NJ: Newman House Press, 2011], 14)

The best part of this book is the substantial first section, which was originally delivered as an address to a 2010 liturgy conference in Milan. The title of this address is “Entering the Liturgical Mysteries through the Rites and Prayers.” The remainder of the book is also interesting and insightful, and it covers such topics as: the distribution of Holy Communion, the pallium, the pastoral staff, the placement of the crucifix upon the altar (the so-called “Benedictine arrangement”), the Greek Gospel, silence, Latin, beauty, and the wearing of the dalmatic by cardinal deacons. Each of these issues is presented with theological, historical, and practical perspective.

Msgr. Marini teaches that “Christ the Eternal High Priest . . . is at the center of the liturgical action of the Church. The liturgy must be the celebrated transparency of this theological truth” (Marini, 67). He also gives a good perspective on the spirit of faith and obedience with which we must approach the liturgy and its reforms:

True fidelity to the reform willed by Vatican II demands . . . an ecclesial spirit . . . without ideologically preconceived notions. It is one and the same love that must animate everyone—love for the Lord and His Church, love for the liturgy, which is the action of Christ and the Church. (Marini, 43)

Y FAVORITE memory of the World Meeting of Families held in Philadelphia in 2015 is the opportunity I had to hear Msgr. Marini’s final encouragement to the servers before Mass in our cathedral and on the Benjamin Franklin Parkway. I have tried to capture his profound reflections on that occasion here. I recommend reading these reflections just as highly as I am pleased to recommend this small book.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Msgr Guido Marini, Pope Benedict XVI, Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

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