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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Reflections of a Papal Master of Ceremonies

Fr. David Friel · June 12, 2017

ULL-TIME graduate studies have left me little time for non-assigned readings over the last year. Nevertheless, I took advantage of a free evening last week to read a short book that I only recently discovered. A collection of writings by Msgr. Guido Marini, the book is entitled Liturgical Reflections of a Papal Master of Ceremonies.

This slim volume (111 pages) gathers together a number of essays composed by Msgr. Marini during his time as Master of Pontifical Liturgical Celebrations, a post he has held since 2007. Collected and translated by Rev. Nicholas Gregoris of Newman House Press, these essays offer insights into the theological outlook of Msgr. Marini and his rationale for a variety of papal liturgical practices. Msgr. Marini continues to serve as papal MC for Pope Francis, but these essays, published in 2011, pertain more directly to the pontificate of Pope Emeritus Benedict XVI.

Concerning his role as papal master of ceremonies and the consequent meaning of his own liturgical reflections, Msgr. Marini writes this:

I consider it a pleasant and urgent duty for me to be the faithful interpreter and echo of his authoritative liturgical orientation, which does not pertain to the realm of “personal taste” (although such personal taste is more than respected while not necessarily shared by all), but rather to a true and proper Magisterium to be shared with a spirit of faith and a genuine ecclesial sense. (Guido Marini, Liturgical Reflections of a Papal Master of Ceremonies, trans. Nicholas I. Gregoris [Pine Beach, NJ: Newman House Press, 2011], 14)

The best part of this book is the substantial first section, which was originally delivered as an address to a 2010 liturgy conference in Milan. The title of this address is “Entering the Liturgical Mysteries through the Rites and Prayers.” The remainder of the book is also interesting and insightful, and it covers such topics as: the distribution of Holy Communion, the pallium, the pastoral staff, the placement of the crucifix upon the altar (the so-called “Benedictine arrangement”), the Greek Gospel, silence, Latin, beauty, and the wearing of the dalmatic by cardinal deacons. Each of these issues is presented with theological, historical, and practical perspective.

Msgr. Marini teaches that “Christ the Eternal High Priest . . . is at the center of the liturgical action of the Church. The liturgy must be the celebrated transparency of this theological truth” (Marini, 67). He also gives a good perspective on the spirit of faith and obedience with which we must approach the liturgy and its reforms:

True fidelity to the reform willed by Vatican II demands . . . an ecclesial spirit . . . without ideologically preconceived notions. It is one and the same love that must animate everyone—love for the Lord and His Church, love for the liturgy, which is the action of Christ and the Church. (Marini, 43)

Y FAVORITE memory of the World Meeting of Families held in Philadelphia in 2015 is the opportunity I had to hear Msgr. Marini’s final encouragement to the servers before Mass in our cathedral and on the Benjamin Franklin Parkway. I have tried to capture his profound reflections on that occasion here. I recommend reading these reflections just as highly as I am pleased to recommend this small book.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Msgr Guido Marini, Pope Benedict XVI, Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

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“I love them that love me: and they that in the morning early watch for me shall find me.”

— Proverbs 8

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