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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Reflections of a Papal Master of Ceremonies

Fr. David Friel · June 12, 2017

ULL-TIME graduate studies have left me little time for non-assigned readings over the last year. Nevertheless, I took advantage of a free evening last week to read a short book that I only recently discovered. A collection of writings by Msgr. Guido Marini, the book is entitled Liturgical Reflections of a Papal Master of Ceremonies.

This slim volume (111 pages) gathers together a number of essays composed by Msgr. Marini during his time as Master of Pontifical Liturgical Celebrations, a post he has held since 2007. Collected and translated by Rev. Nicholas Gregoris of Newman House Press, these essays offer insights into the theological outlook of Msgr. Marini and his rationale for a variety of papal liturgical practices. Msgr. Marini continues to serve as papal MC for Pope Francis, but these essays, published in 2011, pertain more directly to the pontificate of Pope Emeritus Benedict XVI.

Concerning his role as papal master of ceremonies and the consequent meaning of his own liturgical reflections, Msgr. Marini writes this:

I consider it a pleasant and urgent duty for me to be the faithful interpreter and echo of his authoritative liturgical orientation, which does not pertain to the realm of “personal taste” (although such personal taste is more than respected while not necessarily shared by all), but rather to a true and proper Magisterium to be shared with a spirit of faith and a genuine ecclesial sense. (Guido Marini, Liturgical Reflections of a Papal Master of Ceremonies, trans. Nicholas I. Gregoris [Pine Beach, NJ: Newman House Press, 2011], 14)

The best part of this book is the substantial first section, which was originally delivered as an address to a 2010 liturgy conference in Milan. The title of this address is “Entering the Liturgical Mysteries through the Rites and Prayers.” The remainder of the book is also interesting and insightful, and it covers such topics as: the distribution of Holy Communion, the pallium, the pastoral staff, the placement of the crucifix upon the altar (the so-called “Benedictine arrangement”), the Greek Gospel, silence, Latin, beauty, and the wearing of the dalmatic by cardinal deacons. Each of these issues is presented with theological, historical, and practical perspective.

Msgr. Marini teaches that “Christ the Eternal High Priest . . . is at the center of the liturgical action of the Church. The liturgy must be the celebrated transparency of this theological truth” (Marini, 67). He also gives a good perspective on the spirit of faith and obedience with which we must approach the liturgy and its reforms:

True fidelity to the reform willed by Vatican II demands . . . an ecclesial spirit . . . without ideologically preconceived notions. It is one and the same love that must animate everyone—love for the Lord and His Church, love for the liturgy, which is the action of Christ and the Church. (Marini, 43)

Y FAVORITE memory of the World Meeting of Families held in Philadelphia in 2015 is the opportunity I had to hear Msgr. Marini’s final encouragement to the servers before Mass in our cathedral and on the Benjamin Franklin Parkway. I have tried to capture his profound reflections on that occasion here. I recommend reading these reflections just as highly as I am pleased to recommend this small book.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Msgr Guido Marini, Pope Benedict XVI, Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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