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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for April 2017

Richard J. Clark · April 7, 2017

Sing Everything From the Viewpoint of the Resurrection

Music has a way of describing the indescribable, of bringing to speech the ineffable. That is what our choirs must do this Holy Week.

Andrew Leung · April 6, 2017

It is Finished

What can a musician learn from the last words of our crucified King?

Jeff Ostrowski · April 5, 2017

Strong Vibrato • What Do You Think?

In my view, a “tight” vibrato can be quite a beautiful thing.

Dr. Lucas Tappan · April 4, 2017

Family Life and the Sacred Liturgy

I can’t imagine my family playing such an intimate role in the ceremonies of Holy Week, but it surely made an awesome impression on the von Trapps.

Jeff Ostrowski · April 3, 2017

Mesmerizing Credo Setting (SATB) • After Machaut

Two young ladies helped record these 14th-century harmonies.

Fr. David Friel · April 2, 2017

Two Articles Worth Reading

On “Liturgiam authenticam” and the Crisis in Art

Jeff Ostrowski · April 2, 2017

Two Popes Singing “Our Father” in Latin

Listen to the instructions John Paul II gives the Chicago congregation.

Jeff Ostrowski · April 1, 2017

Musical Resources • 5th Sunday of Lent (“Passion”)

The Jews therefore said to Him, “Thou art not yet fifty years old and hast Thou seen Abraham?”

Veronica Brandt · April 1, 2017

Liturgical Language Barriers

Learning enough to use Latin liturgically is important and easy if you have the information. Including a short video giving tips to cover most Church Latin pronunciation.

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass
  • Solfege Volleyball: A Children’s Choir Game
  • PDF Download • “2-Voice Hymn” (Holy Name)
  • Music List • (5th Sund. Ordinary Time)
  • Fulton J. Sheen • “24-Hour Catechism”

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