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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Let Everything That Hath Breath Praise the Lord!

Dr. Lucas Tappan · March 7, 2017

320 Mass ERHAPS IT IS DUE to the artistic temperament endowed to me by God, but among Truth, Goodness and Beauty, it is without doubt Beauty that speaks to my soul. To be sure, I love Truth and Goodness, but I love them because they are beautiful. God has called me to walk the via pulchritudinis along my earthly pilgrimage and I praise God for that!

At the same time, I acknowledge that the pilgrim way is not always as beautiful as one might hope. On a daily basis I am forced to confront the ugliness of my own sins, the hatred of God by some, the disdain shown for His creatures by many and a great apathy quietly professed by most in the world for anything heavenly. Unfortunately, the last of these plagues seems to be the modus operendi in too many celebrations of Holy Mass in the western world. As a society we have become completely exhausted with living; we are tired with everything and Mass is just another event to be endured and gotten through, another obligation. We no longer care. It is an irony supreme that in the face of a renewed focus on evangelizing in the Church today, we have ceased, in practice if not in belief, to care about the Church’s Sacred Liturgy. We no longer find it beautiful.

The celebration of Holy Mass should be the daily event in the life of the Church where the Christian worships the Lord, spends time with Him, receives Him, is renewed and strengthened by Him, where his love for God and neighbor is given new breadth and where he begins to live the life of the blessed in Heaven. But alas, no longer. Now the Mass is merely a filling station where the Christian hops in for a short time, inserts his coin into the basket and in return receives the Eucharist from whichever of the 20 vending machines (Eucharistic Ministers) is closest in physical proximity. He might even spend five minutes afterward in personal prayer where he tells God exactly what He needs to do so the day’s plans will be successful, after which the Christian can move on to the really important tasks of the day, which usually take place in the office.

This is in stark contrast to the view of so many saints who saw the celebration of Holy Mass as a foretaste of the Heavenly Banquet (I am reminded of the text of the Ave verum corpus) where Christians were taken up, and if they allowed God, were formed more fully into His image and likeness to become like living tabernacles, sent out into the world to be other Christs. By sharing the joy of living as such, the saints thereby converted the world.

The former view, which we struggle with today, is an extremely utilitarian one, which uses the Mass as a tool to produce what the Christian needs. The second view, a very classical one, acknowledges the Mass to be a partaking in the Heavenly Liturgy, one which calls all of creation, the entire world, to enter into the worship and rest of God. To be honest, who is not tired of the modern world’s utilitarian view, which asks how useful a thing is? What is useful in a child’s laughter, or Thanksgiving dinner or in the worthy celebration of the Heavenly Liturgy? None of these things are useful in the eyes of the world and therefore we are exterminating each one by one. We abort our children, we cut short Thanksgiving dinner in order to shop on Black Friday (which has been transferred by our secular liturgists to Thursday afternoon) and we have given up anything more than the most banal celebration of Holy Mass.

I recently read the EU Report in my latest edition of The American Organist (March 2017) and was both fascinated and frustrated by Paulo Bottini’s article entitled The Organ and Organist in Italy. He writes “You can count on the fingers of one hand the musicians who, when asked the question, ‘What do you do for a living?’ could rightfully answer, ‘I am a church organist. This is because in the Catholic Church, singing and instrumental music are not considered constituent parts of the rite, but ultimately are optional (my emphasis). For this reason many pastors… prefer to rely on anyone to make do—preferably for free—clumsily accompanying the same few botched songs.” Unfortunately this is believed believed by most in the western world, including our clergy, which is why I was happy to see the recent publication of Cantate Domino Canticum Novum: A Statement on the Current Situation of Sacred Music on the 50th anniversary of Musicam sacram.

The first point made in Canticum Domino concerning the regrettable state of church music today is this, “There has been a loss of understanding of the ‘musical shape of the liturgy,’ that is, that music is an inherent part of the very essence of liturgy as public, formal, solemn worship of God“(my emphasis). I agree with the document’s authors—we must recover the biblical belief that all of creation is called to be caught up in “one triumphant hymn of praise” to the Father, through the Son and in the Holy Spirit, what has been called the cosmic liturgy. This true (and ultimately beautiful) belief is indispensable if we hope to pull modern man out of himself and into eternity. I appeal to our bishops, pastors and seminarians, please re-orient the Church toward Heaven, to God. Do it first by re-orienting our worship, where Heaven truly meets earth. Give us churches that point to the reality of Heaven. Give us music that reminds us of the eternal hymn of praise sung by the angels, Give us homilies that inflame our hearts to love God and neighbor more deeply. Point us once again to God Who is Beauty Itself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

In the place of liturgy as the fruit of development came fabricated liturgy. We abandoned the organic, living process of growth and development over centuries, and replaced it—as in a manufacturing process—with a fabrication, a banal on-the-spot product.

— ‘Pope Benedict XVI, describing the postconciliar liturgical reforms’

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  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

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