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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is There Music in Heaven?

Fr. David Friel · March 5, 2017

HAT IS heaven like? Of course, no one on earth knows specifically. There are many people, however, who have attempted to describe what it might be like. From Augustine’s City of God to Dante’s Paradiso to Mitch Album’s Five People You Meet in Heaven, there are plenty of portrayals of what might lie hereafter. One notable portrait of heaven comes from John, the Beloved Disciple, who put his vision to parchment in the fourteenth chapter of the Apocalypse.

He paints his portrait mainly with sounds. The scene includes the Lamb standing atop Mount Zion before the 144,000 elect. The author speaks of “the sound of rushing water,” then adds “a loud peal of thunder”; thereafter, he hears the sound “of harpists playing their harps”; finally, he reports that the multitude of saints “were singing what seemed to be a new hymn before the throne.”

The idea that heaven is filled with sound—even music—is intriguing. Having sung in choirs for many years, I have come to appreciate choral singing, as well as chant, as a premonition of the Kingdom. To sing well in a choir, one must listen to the other voices. This listening leads one to recognize and value the other voice. Only then is the chorister able to contribute his or her own voice to complement the others’ voices. No one, after all, can sing in harmony with oneself.

This strikes me very much like what heaven should be. In heaven, there will be no discord, no backbiting, no jealousy. In the words of John, “On their lips no deceit has been found; they are unblemished” (Rev. 14:5). According to the Christian vision of earthly life, heavenly life must consist in the perfect giving-and-taking, acceptance-and-bestowal of saintly relationships. There, love of God and love of neighbor will be perfected and overflow with song. It is so magnificently appropriate for the lover to sing for the beloved.

So, what is heaven like? No one on earth knows precisely. But I would not be surprised if it is, in fact, a place filled with music. At the very least, it must be a place of perfect harmony.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through its ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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