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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

2-1 Suspension in Guerrero Motet

Jeff Ostrowski · February 20, 2017

HOSE WHO STUDY music history enjoying finding early uses of more modern chords. Giovanni Gabrieli used the Major-Minor Seventh chord. (Orlando di Lasso did as well, though infrequently.) In this remarkable motet by Francisco Guerrero, written circa 1555AD, Guerrero uses a 2-1 suspension in measure 33. We know it’s not a mistake, because the line in question is a perfect canon with the voice above it:

352 suspension Guerrero


Click here to read the full text, from John 17: 1-3. Guerrero’s setting in many ways reflects the text, which is quite powerful. It is the only part of Scripture I know where our Lord refers to Himself as “Jesus Christ.”

JESUS CHRIST is God, in spite of the heretical teachings of Arius. The Council of Nicaea formulated a Creed all Catholics know—after Arius was given a chance to make his arguments—and also formulated (according to many accounts) twenty canons, which are summarized as:

Canon 1: On the admission, or support, or expulsion of clerics mutilated by choice or by violence.

Canon 2: Rules to be observed for ordination, the avoidance of undue haste, the deposition of those guilty of a grave fault.

Canon 3: All members of the clergy are forbidden to dwell with any woman, except a mother, sister, or aunt.

Canon 4: Concerning episcopal elections.

Canon 5: Concerning the excommunicate.

Canon 6: Concerning patriarchs and their jurisdiction.

Canon 7: confirms the right of the bishops of Jerusalem to enjoy certain honors.

Canon 8: concerns the Novatians.

Canon 9: Certain sins known after ordination involve invalidation.

Canon 10: Lapsi who have been ordained knowingly or surreptitiously must be excluded as soon as their irregularity is known.

Canon 11: Penance to be imposed on apostates of the persecution of Licinius.

Canon 12: Penance to be imposed on those who upheld Licinius in his war on the Christians.

Canon 13: Indulgence to be granted to excommunicated persons in danger of death.

Canon 14: Penance to be imposed on catechumens who had weakened under persecution.

Canon 15: Bishops, priests, and deacons are not to pass from one church to another.

Canon 16: All clerics are forbidden to leave their church. Formal prohibition for bishops to ordain for their diocese a cleric belonging to another diocese.

Canon 17: Clerics are forbidden to lend at interest.

Canon 18: recalls to deacons their subordinate position with regard to priests.

Canon 19: Rules to be observed with regard to adherents of Paul of Samosata who wished to return to the Church.

Canon 20: On Sundays and during the Paschal season prayers should be said standing.

I am by no means an expert on this period of history, but I don’t believe St. Athanasius was allowed to attend the Council of Nicaea because he was only a deacon at that time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

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