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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ad Orientem” • Archbishop Naumann’s Letter

Jeff Ostrowski · December 6, 2016

VER SINCE I RELEASED an article about Bishop Libasci’s letter, my inbox has been exploding. I had no idea there was such a groundswell of support for “ad orientem,” especially among younger priests. What’s even more surprising is the extremely positive feedback priests are reporting. Indeed, several Midwestern bishops publicly celebrated “ad orientem” even before the special appeal by Cardinal Sarah, who was appointed Prefect of the Congregation for Divine Worship by Pope Francis in 2014.

Some bishops are making an appeal for “uniformity” in Catholic worship, as Bishop Doherty’s terse letter does. Archbishop Naumann’s letter (SEE BELOW) seems to encourage uniformity, yet makes clear that “ad orientem” has equal footing with “versus populum.”

But the uniformity emphasis is hard to reconcile with numerous statements from the USCCB. Consider this official statement signed by Bishop Serratelli:

23 April 2009 — The reformed liturgy offers a variety of options, encourages ministerial creativity, and at times admits a diversity of forms. The participation aid should be so designed as not to establish, once and for all, a single or rigid pattern of liturgical celebration. […] The arrangement or selection of liturgical texts must not result in the suppression of alternatives and options for the congregation (or for the celebrant and other ministers, as applicable).

The following letter is the most extensive treatment I’ve seen:

588 Archbishop Naumann ad orientem A

588 Archbishop Naumann ad orientem B


When I lived in Kansas, my friend ARCHBISHOP KELEHER hadn’t retired yet. Because I’ve only visited Kansas twice since 2005, I don’t feel qualified to comment on the current liturgical situation. Nevertheless, if there’s an authentic move towards liturgical uniformity, I hope more dioceses will start enforcing what Vatican II mandated:

116. The Church acknowledges Gregorian chant as specially suited to the Roman liturgy: therefore, under normal circumstances, it should be given first place in liturgical services.

There are more items which could use some “uniformity.” For example, Vatican II mandated the retention of Latin; it is not optional.

Several related articles:

* *  Chief Reasons For Mass “Facing The People”

* *  Bishop of Manchester • Letter Re: “Ad Orientem”

* *  Why I’m Rejoicing over Catholic Herald Errors

* *  Does Your Bishop Enforce The GIRM?

* *  Showdown in Arkansas over “Ad Orientem”

* *  Indisputable Facts About “Ad Orientem” Celebration

* *  When To Face the Altar & When To Face The People

* *  Screenshots Proving “Versus Populum” Was Allowed By The 1572 Missal

* *  Additional Articles • Re: “Ad Orientem” Celebration

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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