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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2016

Jeff Ostrowski · December 31, 2016

Brave Schola Director Posts “Live” Recording…

A snippet caught by a generous alto at Candle-lit Mass in Hollywood.

Richard J. Clark · December 31, 2016

Mary was one of the strongest women to ever walk planet Earth.

“Meek,” “mild,” “humble,” and “lowly” are mistaken for submission and weakness. Only a person of great strength could possess such qualities.

Veronica Brandt · December 30, 2016

The longest 54 seconds in a Missa Cantata

Directing music for a Sung Mass can be terrifying. Here’s a tip to help you avoid one trap.

Follow the Discussion on Facebook

Dr. Lucas Tappan · December 27, 2016

A Christmas Carol

Keep the flame of the true Christmas spirit burning brightly and carol to your heart’s content.

Corpus Christi Watershed · December 26, 2016

“The Journey of the Magi”

Originally, the star was shown above the tiled roof of the stable.

Jeff Ostrowski · December 25, 2016

Proof Good People Still Exist

Several singers shown here helped record the Watershed polyphonic rehearsal videos.

Jeff Ostrowski · December 24, 2016

Christmas • When Jackie Gleason Broke Character (Updated)

I forgot something important…

Richard J. Clark · December 23, 2016

“Immense in the form of God, tiny in the form of a slave”

“Christmas is thus the feast of the loving humility of God….” — Pope Francis

Veronica Brandt · December 22, 2016

Epiphany Proclamation 2017

“It is solemnly made known, dearest brethren that, just as we—through the bounteous mercy of God—have rejoiced in the Birth of Our Lord Jesus Christ…”

Guest Author · December 22, 2016

Opening Our Hearts At Christmas

The best way to spread Christmas cheer is…

Jeff Ostrowski · December 21, 2016

60 Minutes • “The Pope’s Choir” (Sistine Chapel)

This video sharply condemns the choir’s previous director…a dangerous game.

Jeff Ostrowski · December 20, 2016

Shortest “Kyrie” Palestrina Ever Wrote

Especially suited for the Ordinary Form—and did you spot the invertible counterpoint?

Dr. Lucas Tappan · December 20, 2016

Appropriate Music for the Sacred Liturgy

It’s hard to implement a program of truly sacred music, focused on the Lord, when so many of our Masses and other services are celebrated as if God were a side note…

Veronica Brandt · December 17, 2016

Random Acts of Beauty: the Vestment Fund

Looking for a chariitable appeal you can support in good conscience? Check out this new Vestment Fund.

Richard J. Clark · December 16, 2016

Art is an act of love.

At certain times, an artist requires refuge…

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Corpus Christi Watershed

President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • “Music List” • 29th in Ordinary Time (Year C)
  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

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