Views from the Choir Loft

A Dad’s Dilemma • I pray and God determines.

Richard J. Clark · November 18, 2016

HEN WORKING hard and being stretched too thin and in too many directions, one might very well question one’s life choices. Every day I struggle with being a dad and working for the Church in many capacities, dealing with professional politics as a matter of routine, and ultimately caring for both parishioners and family.

Yet working for the Church is wholly at odds with having a family and being present for them. Gone over twenty hours on a weekend. Home three to four nights after my children have gone to bed. This doesn’t work. My wife carries the burden. My kids do. On Monday mornings, my two-year-old has recently taken to saying “We got Daddy back!” I don’t know the answer and have written on this subject before.

Overwork for the sake of politics and professional survival is ubiquitous. Add to it dedication to one’s art and calling, and the result is quite a schedule! There’s never enough time.

But we work for the Church because we must. Frankly, I don’t know what else to do with my life. I pray, and God determines my path.

UT THIS WEEK is a week with many blessings. I can’t complain. A new work was premiered. I was asked by a publisher to contribute a new work. I have the opportunity to conduct the orchestral version of John Rutter’s Requiem and also perform with the amazing Richard Kelley. One week. Absolutely no complaints.

But such is also the culmination of many seven-day workweeks, and composing after the kids are in bed. I want to be present for those in the parish. But I want and must be present for my family. It’s non-negotiable.

I want to do it all. I can’t. I pray and God determines.

At the moment I’m at a loss for the proper balance and direction. But I do know that we must sing sacred music because we love. We yearn for our families because we love them greater than anything imaginable. We trust in God because He loves.

I pray and God determines.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

“Entrance Chant” • Christ the King

Download the ENTRANCE ANTIPHON in English for the Solemnity of Christ the King (24 November 2024). It mimics the Mode III Latin version in a truly spectacular way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Music List” • (33rd Sund. Ordinary Time)

This coming Sunday—17 November 2024—is the 33rd Sunday in Ordinary Time, Year B. Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. For the record, our opening hymn is particularly beautiful. So is the Mode 6 ENTRANCE CHANT.

—Jeff Ostrowski

Lectionary Errors

If you look at the official Responsorial Psalm (PDF) for this coming Sunday, you’ll notice the current Lectionary has the wrong refrain. Why is this a big deal? Why even mention such a thing? Everybody makes mistakes, right? Here’s why it matters. The USCCB—which makes money by selling the sacred liturgical texts—has historically been ruthless when it comes to such matters. When various publishers point out errors to them, their response has been: “If you dare to correct the error, we’ll sue you.” These errors are not a matter of nuance; e.g. sometimes the previous (English) edition of the Lectionary got them right! Bottom Line: mandatory, indulgenced, liturgical texts shouldn’t be sold; they should be freely available to all Catholics.

—Jeff Ostrowski

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski