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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Serious Question About Vatican II

Jeff Ostrowski · September 9, 2016

132 Archbishop of Utrecht CAPPA MAGNA ANY AUTHORS HAVE DISCUSSED the liturgical reforms following Vatican II. As Cardinal Ratzinger noted many years ago, the Council did not reform the liturgy. Rather, the Council said the liturgy should be revised:

“Elements which, with the passage of time…were added with little advantage are now to be discarded.”

If our Lord gives me the strength, someday I’d like to assemble—with the help of our readers—a succinct list that gives reforms done according to Sacrosanctum Concilium as well as reforms contrary to it. Such a list would also include key sources like Cardinal Antonelli, who served as secretary of the Consilium prior to Bugnini.

Many reforms were not in accordance with what the fathers of Vatican II specifically mandated. For example, most people associate Mass “facing the people” with Vatican II, but the Council never said a word about this practice. Most people think Vatican II abolished Latin, but in reality the Council declared that Latin must be preserved. Indeed, the fathers of Vatican II erupted with laughter when someone suggested there was a danger of the vernacular replacing Latin. Many other examples could be given. 1

Today I wish to discuss a different question. Vatican II spoke of “useless repetitions” in the liturgy, and said they should be examined and (possibly) eliminated. There is a real question about what the Council meant. Certainly it didn’t mean, for example, eliminating the 9-fold Kyrie, because in another place the same document says Gregorian chant should be given “first place” and even called traditional sacred music “the greatest treasure of the Church”—which probably annoyed architects and artists!

A liturgical change had taken place which went into effect on 1 January 1961. The final vote for Sacrosanctum Concilium happened on 4 December 1963. I’m told the actual document, however, had been “in production” for years—before the Council even began. Here’s an example of a rubric changed in 1961:

138 Tridentine Gospel Repeated


(Another example would be the Confíteor at Communion.)

In light of the fact that Sacrosanctum Concilium was being drafted at the very time these rubrical changes were happening, was that sufficient time for the bishops to “absorb” them and make informed decisions? Priests I’ve spoken to tend to like that 1961 change. 2

Perhaps a “useless repetitions” they had in mind would be the priest quietly reading certain prayers sung by the choir, such as the Introit—although I personally like that practice very much, and it’s difficult to see how “the good of the Church genuinely and certainly requires” that the priest stop doing that. It has no effect whatsoever on the congregation.



NOTES FROM THIS ARTICLE:

1   I have yet to encounter a serious scholar willing to defend the specific reforms of Vatican II. The very people involved in the reforms—who at the time were in favor of them, such as Fr. Louis Bouyer—have described the unbelievable, hasty, and shameful way many of these reforms were rammed through. Moreover, some bishops who were 100% in favor of the liturgical reforms, such as Bishop René H. Gracida, now believe the reformers went too far.

2   Indeed, this change had already been made in 1955 for the Holy Week services. Believe it or not, the priest had been required to read in a low voice all the Easter Vigil lessons as they were being sung. By the way, many people don’t realize that before the reforms of Pius XII, Easter actually began the day before Easter Sunday.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy of the Second Vatican Council, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

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