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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Serious Question About Vatican II

Jeff Ostrowski · September 9, 2016

132 Archbishop of Utrecht CAPPA MAGNA ANY AUTHORS HAVE DISCUSSED the liturgical reforms following Vatican II. As Cardinal Ratzinger noted many years ago, the Council did not reform the liturgy. Rather, the Council said the liturgy should be revised:

“Elements which, with the passage of time…were added with little advantage are now to be discarded.”

If our Lord gives me the strength, someday I’d like to assemble—with the help of our readers—a succinct list that gives reforms done according to Sacrosanctum Concilium as well as reforms contrary to it. Such a list would also include key sources like Cardinal Antonelli, who served as secretary of the Consilium prior to Bugnini.

Many reforms were not in accordance with what the fathers of Vatican II specifically mandated. For example, most people associate Mass “facing the people” with Vatican II, but the Council never said a word about this practice. Most people think Vatican II abolished Latin, but in reality the Council declared that Latin must be preserved. Indeed, the fathers of Vatican II erupted with laughter when someone suggested there was a danger of the vernacular replacing Latin. Many other examples could be given. 1

Today I wish to discuss a different question. Vatican II spoke of “useless repetitions” in the liturgy, and said they should be examined and (possibly) eliminated. There is a real question about what the Council meant. Certainly it didn’t mean, for example, eliminating the 9-fold Kyrie, because in another place the same document says Gregorian chant should be given “first place” and even called traditional sacred music “the greatest treasure of the Church”—which probably annoyed architects and artists!

A liturgical change had taken place which went into effect on 1 January 1961. The final vote for Sacrosanctum Concilium happened on 4 December 1963. I’m told the actual document, however, had been “in production” for years—before the Council even began. Here’s an example of a rubric changed in 1961:

138 Tridentine Gospel Repeated


(Another example would be the Confíteor at Communion.)

In light of the fact that Sacrosanctum Concilium was being drafted at the very time these rubrical changes were happening, was that sufficient time for the bishops to “absorb” them and make informed decisions? Priests I’ve spoken to tend to like that 1961 change. 2

Perhaps a “useless repetitions” they had in mind would be the priest quietly reading certain prayers sung by the choir, such as the Introit—although I personally like that practice very much, and it’s difficult to see how “the good of the Church genuinely and certainly requires” that the priest stop doing that. It has no effect whatsoever on the congregation.



NOTES FROM THIS ARTICLE:

1   I have yet to encounter a serious scholar willing to defend the specific reforms of Vatican II. The very people involved in the reforms—who at the time were in favor of them, such as Fr. Louis Bouyer—have described the unbelievable, hasty, and shameful way many of these reforms were rammed through. Moreover, some bishops who were 100% in favor of the liturgical reforms, such as Bishop René H. Gracida, now believe the reformers went too far.

2   Indeed, this change had already been made in 1955 for the Holy Week services. Believe it or not, the priest had been required to read in a low voice all the Easter Vigil lessons as they were being sung. By the way, many people don’t realize that before the reforms of Pius XII, Easter actually began the day before Easter Sunday.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy of the Second Vatican Council, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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