• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Are the Readings at Mass Meant to Be Didactic or Doxological?

Fr. David Friel · July 17, 2016

OTA IX International Liturgy Conference was held last weekend in Cork City, Ireland. The annual Fota conference is a project of the St. Colman Society for Catholic Liturgy and is supported strongly by His Eminence Raymond Leo Cardinal Burke.

The three-day symposium offered a tremendous line-up of 13 speakers, each of whom delivered a scholarly paper on a topic related to this year’s theme, Verbum Domini: Liturgy and Scripture. One may find a list of speakers and their paper titles below. One may also expect the full proceedings to be published in a forthcoming volume.

The conference featured, moreover, Pontifical Vespers (led by Cardinal Burke) on Saturday evening and Pontifical High Masses on Sunday (Cardinal Burke) and Monday (Bishop Peter Elliot).

INCE the theme of the conference centered on Sacred Scripture in the liturgy, it should be no surprise that parts of the various talks overlapped and enriched each other. Several of the presentations dealt with the lectionary or some aspect of the intra-liturgical reading of Scripture. One of the issues that seemed to arise over and over again is the question of the purpose of the Scripture readings at Mass.

Generally, it is assumed that the readings serve one of two purposes (or both). First, the readings are sometimes seen as didactic, intended to offer instruction to those who hear them. The second approach to the readings understands them as doxological, meant simply to honor and praise the Lord. Is one of these understandings more appropriate than the other? Allow me to share with you insights from two of the conference speakers to help answer this question.

First, Rev. Stefan Heid gave a fascinating lecture on the opening day of the conference about the role and direction of the ambo in both the East and the West. Both the role and direction, interestingly, seem to have changed over time. Those familiar with the Missal of St. Pius V know that the Gospel is traditionally read while facing north, symbolically addressing the Good News to the Goths and pagans needing to be evangelized in north central Europe. What I learned from Professor Heid is that the earlier tradition in the West (as determined through archeological evidence) was actually to read the Gospel facing south.

The placement of ambos on high platforms outside the sanctuary, in the nave, serves both the practical purpose of aiding the acoustics of the space and the spiritual significance of the Word of the Lord descending upon the faithful from on high. One might presume from this placement that the readings would have been proclaimed in the direction of the people; “otherwise,” Fr. Heid explains, “one would not have bothered to construct an ambo in front of the sanctuary.” But this is not necessarily the case.

In such a case, though, the lector or deacon would have his back to the clerics. In addition, most ambos with two sets of stairs are constructed on the West-East axis. The parapets of the ambos and therefore the directions point to the north and the south. One may suppose that the ambos were used to proclaim readings across the nave.

Thus, the historical study of ambos shows that, when it came to the readings at Mass, the first consideration was not that they be read “to” the people. First and foremost, they were to be read toward God. That the readings might be heard by the people was an ancillary benefit.

Secondly, Msgr. Michael Magee (a former professor of mine at St. Charles Borromeo Seminary, Overbrook) spoke about the reform of the lectionary, evaluating the successes and limitations of the new three-year cycle and hypothesizing about prospects for the future of both lectionaries. Without a doubt, the three-year lectionary prizes highly the didactic potential of the readings at Mass. The wider selection (“richer fare,” SC 51) of Scripture passages included, coupled with the explicit preference for lectio continua, indicate a more didactic approach than in the old one-year cycle. Msgr. Magee’s sense is that the readings ought to serve both purposes, such that primacy is given to their doxological character without precluding the full exercise of their didactic power.

In my opinion, the reforms of the Second Vatican Council constitute a marked shift with respect to the understanding of the readings at Mass. Whereas the readings in the Mass codified at Trent (and still celebrated as the Extraordinary Form) seem to highlight the doxological aspect without obliterating their ability to instruct, the readings in the modern “Liturgy of the Word” appear to operate almost exclusively from their didactic nature. The primary evidence for this shift is the reformed practice of reading the Scriptures facing the people and almost always in the vernacular. This can be seen, also, from the heavy emphasis placed on homilies that draw their life from the readings, in place of the pre-conciliar tendency toward sermons that were frequently disconnected from the Epistle and Gospel passages of the day. None of this eliminates the possibility of the readings serving also a doxological purpose, but the reformed liturgy nevertheless requires special effort to be made in order to preserve and safeguard this important (and historical) nature of the readings.

Ideally, this should probably be a case of “both-and.” The readings, in both Ordinary & Extraordinary Forms, should be both doxological and didactic, but with primacy given to the doxological. Is this happening in our parishes?

Here is a list of the speakers and topics at Fota IX, in the order in which the papers were presented:

Bishop Peter Elliot – “The Heritage of Israel in the Roman Rite”

Fr. Joseph Briody – “Rediscovering the Septuagint: Text, Reception, Significance, Canon”

Dr. William Mahrt – “The Propers of the Mass”

Fr. Thomas McGovern – “The Eucharistic Liturgy and Scripture”

Fr. Paul Mankowski, SJ – “Latet Novum in Vetere: Old Testament Tributaries of Catholic Worship”

Professor Rev. Dr. Dr. Stefan Heid – “Function and Direction of the Ambo in the Byzantine and Roman Traditions”

Mr. Gregory DiPippo – “The Ambrosian Rite and the Reform of the Roman Lectionary”

Dr. Ann Orlando – “The Unity of Scripture and Liturgy in Augustine’s Homilies on John’s Gospel”

Fr. Kevin Zilverberg – “The Neo-Vulgate as Official Liturgical Translation”

His Eminence Raymond Leo Cardinal Burke – “The Process of Receiving Recognitio for Liturgical Texts”

Fr. Sven Leo Conrad, FSSP – “Observations on the Theology of the Liturgia Verbi with Reference to the Forma Extraordinaria”

Msgr. Michael Magee – “The Reform of the Lectionary: Evaluation and Prospects”

Fr. John M. Cunningham, OP – “The Oldest Christian Sermon”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fota Liturgy Conference, Liturgy of the Second Vatican Council, Novus Ordo Lectionary, Novus Ordo Lectionary Reform, Raymond Cardinal Leo Burke Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

Recent Posts

  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.