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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Theology of the Organ

Dr. Lucas Tappan · June 14, 2016

445 Tappan ECENTLY, a generous family donated their late mother’s house organ to our parish and last Saturday, my assistant (who works for an organ building company), one of my recently graduated choristers, and I took the newly-acquired 3 ranks of lead (plus wind chests) to the organ shop for repair and maintenance. We hope to install the organ in our parish’s office chapel by the end of next month. As I pounded dents out of several pipes, it occurred to me that it might be useful to post on what I call the theology of the organ.

Most readers of Views from the Choir Loft believe in the primacy of the organ among instruments in the Roman Rite, but if asked to give reasons for why the organ should have such a primacy, I fear many could do little more than quote documents or defer to tradition—and we know how well that works. Unfortunately, most Catholics in the US today believe that tradition is a bad thing (at least in the Church). Morevoer, if the organ became a tradition in the the Roman Rite, why couldn’t the guitar follow the same process of inculturation? Recourse to quoting ecclesiastical documents falls on deaf ears of Catholics, who view obedience as something medieval. Like high school teenagers, too many of our congregations are only pleased with the latest fads. Fortunately, there are good theological reasons and arguments for why the organ once again should enjoy pride of place in our worship. I don’t pretend that these reasons will convert your died-in-the-wool, anti-treasury-of-sacred-music types, but I have found that they open a door for dialogue with fellow Catholics who bear genuine goodwill. Thankfully, Dr. Kevin Vogt the Director of Music at St. Michael the Archangel Catholic Church in Leawood, KS, has written beautifully on the matter.

Dr. Vogt is the man primarily responsible for bringing to fruition the magnificent Pasi, dual-temperament organ at the Cathedral of St. Cecilia in Omaha, NE, and he is truly one of the great minds of the age. He wrote his doctoral thesis on the organ project at St. Cecilia’s, but the document also contains a section on what I would describe as the Theology of the Organ, found here (specifically see chapter 2, pages 150-172). Some of it might be a little dense for the faint of heart, but it is ENTIRELY worth the read. He presents his insights (peppered liberally with Ratzinger quotes) within the context of Msgr. Francis Mannion’s call for a “renewal of the sacramental, heavenly, cosmic, glorious, catholic, paschal and traditional dimensions of the Roman Catholic liturgy.” Dr. Vogt proposes “that the organ could play an important role in this renewal, and [he constructs] a symbolic theology of the organ in terms of:

(1) COSMOLOGY—concerning music and the created universe;

(2) CHRISTOLOGY—concerning the doctrine of Jesus Christ as the incarnate Logos;

(3) PNEUMATOLOGY—concerning the agency of the Holy Spirit; and

(4) ESCHATOLOGY—concerning the heavenly liturgy of the New Jerusalem.

It really is beautiful stuff and I encourage everyone to study it, take it to heart, memorize it and then begin to share it. Let’s put the organ back on the pedestal it rightfully deserves.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

Recent Posts

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  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
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