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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for April 2016

Veronica Brandt · April 30, 2016

How to train your dragon and the Easter Vigil Alleluia

Hearing a movie theme in the Alleluia verse from the Easter Vigil. Gregorian chant has all the good tunes.

Richard J. Clark · April 29, 2016

Children’s Choir in a Typical Suburban Parish? Endless Possibilities!

Children who sing today will be the foundation of our Church in the future.

Andrew Leung · April 28, 2016

Musical Works of Mercy

How can we help others spiritually through music?

Jeff Ostrowski · April 27, 2016

Propers for St. Joseph the Worker

This Sunday falls on May 1st, so the EF feast is “St. Joseph the Workman.”

Dr. Lucas Tappan · April 26, 2016

The Devil Gets in the Details

Just remember to laugh, thank the Good Lord and keep your coffee off of the piano!

Jeff Ostrowski · April 25, 2016

Rehearsal videos • “Veni Creator Spiritus” (Fauxbourdon)

Modern ears don’t always enjoy the sound of extremely ancient music—do you?

Fr. David Friel · April 24, 2016

Instruction on Sacred Music by Bishop John Doerfler

Introducing a Five-Year Plan for the Future of Sacred Music in the Diocese of Marquette

Jeff Ostrowski · April 24, 2016

Our Lady’s Royal Ancestry • Gregorian Chant

“Richer than I you can never be—I had a Mother who read to me.”

Jeff Ostrowski · April 24, 2016

Musical Resources • Fourth Sunday after Easter (Extraordinary Form)

“…grant Thy peoples that they may love what Thou commandest and desire what Thou dost promise…”

Jeff Ostrowski · April 23, 2016

Dazzling Canon • “Adoremus in Aeternum”

John Paul II: “For compositions of liturgical music, I make my own the general rule of St. Pius X…”

Andrew Leung · April 23, 2016

Who Says Young People Can’t Sing Traditional Sacred Music?

2 groups of high schoolers, over 200 young people, proved that they can sing and pray with traditional church music.

Richard J. Clark · April 22, 2016

Musician • Center of Attention or Servant?

Applause from a congregation for musicians, or musicians that impede congregational singing for the sake of personal artistry, are but symptoms. The church musician has been misidentified as a separate entity—a showpiece—and not properly identified as a servant of the liturgy, a servant of God, a servant of the people.

Jeff Ostrowski · April 22, 2016

Shocking Parallels By Guerrero

I’ve seen similar passages by Orlando Lassus.

Andrew Leung · April 21, 2016

Les Misérables and the Year of Mercy

Watch and Listen to Les Misérables during the Year of Mercy!

Jeff Ostrowski · April 20, 2016

Benedictus & Hosanna • “Missa Beata Mater”

My friend was in charge of picking music for papal Masses under Pope St. John Paul II.

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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