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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Myth That Needs To Die

Jeff Ostrowski · December 28, 2015

910 Low Mass Before Vatican II NACCURATE MYTHS are often repeated with regard to the “typical” American Catholic parish of the 1950s. These rumors—often started by people disparaging the Holy Catholic Church—are presented in a dogmatic way, and then folks who don’t know any better mimic them. It is time for such assertions to cease.

A very common version goes something like this:

The Catholic Church before Vatican II focused on externals, never stressing a personal relationship with the Lord. The priests rushed through Mass as quickly as possible—to get it over with—which made no difference because priests in those days didn’t understand the prayers (recited in Latin). Low Mass often lasted 15 minutes, and the Requiem was frequently chosen because it was shorter; not because of the priest’s sincere desire to offer prayers for the dead (something the Curé of Ars encouraged with all his strength).

I got so tired of hearing this, I sent an email to five priests ordained before the Second Vatican Council. They all said these myths were total nonsense, and not representative of the 1950s. Here’s one:

Jeff, I never heard that and I never knew any priests who said or did that. I never witnessed a Mass in the so-called “extraordinary form” done in 15 minutes. The normal time for a side altar—that is, a Mass with no congregation but with just a server—was 25-30 minutes. A Requiem Mass was slightly shorter, especially if the Sequence (optional) was not recited. And that is still the case with Masses said at the seminary, e.g. the FSSP Seminary in Nebraska.

When people make a statement like the one you quoted, I simply tell them that this was not my experience—because it wasn’t. My High Masses on Sunday with a sermon usually take an hour and five minutes. My daily low Masses with congregation normally last about 35 minutes. That is without a sermon; and I don’t preach on weekdays! People are preached at too much nowadays… Regarding preaching, we were taught in the seminary that “the preacher should always end his sermon while the people still wanted to hear more!” Some preachers don’t know when to stop!

(Regarding what he says about the Dies Irae Sequence, it was not said 1 on certain days.)

Another “preconciliar” priest—not the one quoted above—recently sent me this powerful & beautiful prayer:

915 Daily Prayer


Regarding how well priests knew Latin back then, I correspond with 5-6 preconciliar priests through email. All of them know Latin not only “sufficiently” but fluently. Some of the traditional orders these days are teaching Latin to their seminarians, and this is fantastic. 2 But most priests—even good & holy ones who offer the Extraordinary Form—are not fluent in Latin, the way these 5-6 preconciliar priests are. We must continue to work, and hopefully we will again reach preconciliar level!



NOTES FROM THIS ARTICLE:

1   Prior to the reforms of Pope John XXIII—which were incorporated into the 1962 editions of the Roman Missal—the Sequence Dies Irae was supposed to be said or sung (depending on whether it was a Low Mass or a High Mass) at all Requiem Masses. The only exception was the so called “Daily Mass for the Dead.” Its recitation was optional at a “daily” Low Mass. (A daily Low Mass could be offered on feasts lower than a double. Today, it would mean a 4th class day.) In 1962, the Dies Irae became obligatory at all Funeral Masses and during one Mass on 2 November, unless the second and third Masses are High Masses.

2   Canon Law requires that all priests of the Latin Rite—both Ordinary Form and Extraordinary Form—possess a knowledge of Latin, because so much of the Roman Catholic teachings are in that language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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