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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Myth That Needs To Die

Jeff Ostrowski · December 28, 2015

910 Low Mass Before Vatican II NACCURATE MYTHS are often repeated with regard to the “typical” American Catholic parish of the 1950s. These rumors—often started by people disparaging the Holy Catholic Church—are presented in a dogmatic way, and then folks who don’t know any better mimic them. It is time for such assertions to cease.

A very common version goes something like this:

The Catholic Church before Vatican II focused on externals, never stressing a personal relationship with the Lord. The priests rushed through Mass as quickly as possible—to get it over with—which made no difference because priests in those days didn’t understand the prayers (recited in Latin). Low Mass often lasted 15 minutes, and the Requiem was frequently chosen because it was shorter; not because of the priest’s sincere desire to offer prayers for the dead (something the Curé of Ars encouraged with all his strength).

I got so tired of hearing this, I sent an email to five priests ordained before the Second Vatican Council. They all said these myths were total nonsense, and not representative of the 1950s. Here’s one:

Jeff, I never heard that and I never knew any priests who said or did that. I never witnessed a Mass in the so-called “extraordinary form” done in 15 minutes. The normal time for a side altar—that is, a Mass with no congregation but with just a server—was 25-30 minutes. A Requiem Mass was slightly shorter, especially if the Sequence (optional) was not recited. And that is still the case with Masses said at the seminary, e.g. the FSSP Seminary in Nebraska.

When people make a statement like the one you quoted, I simply tell them that this was not my experience—because it wasn’t. My High Masses on Sunday with a sermon usually take an hour and five minutes. My daily low Masses with congregation normally last about 35 minutes. That is without a sermon; and I don’t preach on weekdays! People are preached at too much nowadays… Regarding preaching, we were taught in the seminary that “the preacher should always end his sermon while the people still wanted to hear more!” Some preachers don’t know when to stop!

(Regarding what he says about the Dies Irae Sequence, it was not said 1 on certain days.)

Another “preconciliar” priest—not the one quoted above—recently sent me this powerful & beautiful prayer:

915 Daily Prayer


Regarding how well priests knew Latin back then, I correspond with 5-6 preconciliar priests through email. All of them know Latin not only “sufficiently” but fluently. Some of the traditional orders these days are teaching Latin to their seminarians, and this is fantastic. 2 But most priests—even good & holy ones who offer the Extraordinary Form—are not fluent in Latin, the way these 5-6 preconciliar priests are. We must continue to work, and hopefully we will again reach preconciliar level!



NOTES FROM THIS ARTICLE:

1   Prior to the reforms of Pope John XXIII—which were incorporated into the 1962 editions of the Roman Missal—the Sequence Dies Irae was supposed to be said or sung (depending on whether it was a Low Mass or a High Mass) at all Requiem Masses. The only exception was the so called “Daily Mass for the Dead.” Its recitation was optional at a “daily” Low Mass. (A daily Low Mass could be offered on feasts lower than a double. Today, it would mean a 4th class day.) In 1962, the Dies Irae became obligatory at all Funeral Masses and during one Mass on 2 November, unless the second and third Masses are High Masses.

2   Canon Law requires that all priests of the Latin Rite—both Ordinary Form and Extraordinary Form—possess a knowledge of Latin, because so much of the Roman Catholic teachings are in that language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

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  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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