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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On Stillness

Veronica Moreno · December 2, 2015

The following is a guest article by my husband.|

968 Extraordinary Form N THE FIFTY-SECOND SUNDAY of our first year of conversion to the Extraordinary Form, my four-year old son behaved. 1 He did not crash the swat-team car on the pew. He did not crush a cereal snack underfoot, shred the folded bulletin, or even stack the disposable missals into towers or ramps. He was distracted most of the time. And couldn’t keep from commenting on and questioning the artwork he was noticing for the first time. When he “actively participated” in the Kyrie or Alleluia, he was too loud. 2 His volume is a permanent issue, and I immediately regretted asking him to count the candles he saw. (I cut him off at fourteen.)

But the boy could not have made a father more proud.

My children have taught me stillness, what Guardini describes as “the prerequisite of the liturgical holy act.” 3 It started when I first rocked our eldest and held the bottle for her during the Eucharistic Prayer. I couldn’t follow the Mass in the same way anymore because I didn’t have anymore hands to hold the missal. Even after she could hold her own bottle, I could never really focus on reading the words anymore. That’s how it started.

But it was the Extraordinary Form that made a new worshiper out of me. It forced me to grow still because it forced me to let go of so many things I thought I needed to fix. There was no liturgical abuse to plot to fix, the music was finally the Propers that the Church asked for, the Ordinary dignified, the altar servers mirrors of the priest’s dignity and purpose. Everything was our best. 4 Before, my thoughts constantly drifted to my personal actions as the savior of Tradition, as another new warrior supporting Pope Benedict’s “hermeneutic of continuity”, as a lead actor in this Reform of the Reform. How quickly this turned on its head, when confronted with the work of our Liturgy, done according to the book, to the best of our ability. It is embarrassing to consider how misplaced my attention had been for so long. I am an infant.

The conversion itself happened on the third Sunday of our first year of conversion to the Extraordinary Form. The three kids and I, looking through the sheen of the cry room window, saw the FSSP priest vesting in rose only feet away. And right there I realized there was an emptiness inside me: silence and awe. Detachment and humility. Worldly concern was gone because the priest Said the Black. Freedom to worship, how I now understand thee! Freedom to let go because my children are witnessing the fullness of the Roman Missal.

My place is behind that window—bottle-ready, arms full, pockets full of plush toys—still and empty. That window is not a looking glass. It makes my three kids holy. It makes me holy too. We are building a congregation. It will be our parish, and we will bring it home to our local Churches.

At the end of that Last Sunday of the liturgical year, my son made me proud. There was nothing anyone could do to change that. 5


We hope you enjoyed this guest article by José Francisco Moreno.




NOTES FROM THIS ARTICLE:

1   “Behaved” is a term, that for this short text, should be qualified: My son behaved at Mass. He was only removed from the main Church once, when the altar server’s altar bell jerked my son out of a distracted reverie and prompted him to involuntarily sing out ‘Ding-a-ling, Ding-a-ling’. He returned and no further problem ensued.

2   His sister is in the choir, so he knows the chants and hymns. But he does not know blending yet, so the mother and son in front of us turned around every time my son belted to sing.

3   Romano Guardini. Preparing Yourself for Mass (1939).

4   This is possible in the Ordinary Form too, except having so many options and a general tendency to demote things to “optional” makes it far more difficult. Too many loopholes. “Say the Black, Do the Red.”

5   It was irony, that after being so inspired by the completion of a year going to the FSSP Mass, a year just crowned by my son’s behavior, that a woman approached us to let us know that, “There’s a room for children in the side of the Church building.” My son’s behavior had bothered and distracted her throughout the Mass so much she felt compelled to speak to me! I said nothing, since no one was going to destroy the joy of that particular moment. But he was a good four-year-old, and deserves to meet God face-to-face, just like the rest of us. Next following week, with the one-year-old back with us, we were back in the “room for children.” Guardini on Church buildings and stillness:

What then is a church? It is to be sure, a building having walls, pillars, space. But these express only part of the word church, its shell. When we say that Holy Mass is celebrated “in church,” we are including something more: the congregation. Congregation, not merely people. Churchgoers arriving, sitting, or kneeling in pews are not necessarily a congregation; they can be simply a roomful of more or less pious individuals. Congregation is formed only when those individuals are present not only corporally but also spiritually, when they have contacted one another in prayer and step together into the spiritual “space” around them; strictly speaking, when they have first widened and heightened that space by prayer. Then true congregation comes into being, which, along with the building that is its architectural expression, forms the vital church in which the sacred act is accomplished. All this takes place only in stillness; out of stillness grows the real sanctuary. It is important to understand this.

Church buildings may be lost or destroyed; then everything depends on whether or not the faithful are capable of forming congregations that erect indestructible “churches” wherever they happen to find themselves, no matter how poor or dreary their quarters. We must learn and practice the art of constructing spiritual cathedrals.

We cannot take stillness too seriously. Not for nothing do these reflections on the Liturgy open with it. If someone were to ask me what the liturgical life begins with, I should answer: with learning stillness. Without it, everything remains superficial, vain. Our understanding of stillness is nothing strange or aesthetic. Were we to approach stillness on the level of aesthetics – of mere withdrawal into the ego – we should spoil everything. What we are striving for is something very grave, very important, and unfortunately sorely neglected: the prerequisite of the liturgical holy act.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

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