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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2015

Andrew Leung · December 31, 2015

Te Deum Laudámus

Listen to Herbert Howells’s Te Deum to start the new year!

Jeff Ostrowski · December 31, 2015

Musical Resources • Most Holy Name (Extraordinary Form)

“…mercifully grant that we may in heaven enjoy the blessed vision of him, to whose most holy name we do reverence upon earth.”

Andrew Leung · December 31, 2015

Chant Workshop for Clergy

St. Ambrose School of Chant located in Georgia is organizing a Chant Workshop for Clergy.

Jeff Ostrowski · December 30, 2015

Another “Oops” Moment For Liturgical Press

Msgr. Kevin Irwin says this book “reflects the best of liturgical scholarship and wisdom gleaned from the liturgy.”

Andrew Leung · December 30, 2015

Bishop Perry at Prince of Peace Catholic Church

Bishop Joseph Perry administered the Sacrament of Confirmation and celebrated a Pontifical Solemn High Mass on Gaudete Sunday.

Jeff Ostrowski · December 30, 2015

Which Mass Goes With Which Season?

Unfortunately, many ignore the words of Abbot Pothier, included at the front of the Vatican Edition.

Cynthia Ostrowski · December 29, 2015

Popular Posts From 2015

In case you missed any of these!

Jeff Ostrowski · December 29, 2015

PDF • “The Truth Of Papal Claims” (Merry del Val)

Cardinal Raphael Merry del Val published this reply to a Protestant scholar in 1902.

Jeff Ostrowski · December 28, 2015

Hollywood: Midnight Mass By Candlelight

The FSSP had a special Christmas Mass at their new Apostolate in Los Angeles.

Jeff Ostrowski · December 28, 2015

A Myth That Needs To Die

“I never witnessed a Mass in the so-called Extraordinary Form that was done in 15 minutes.”

Andrew Leung · December 26, 2015

New Choir Stalls for the Sistine Chapel Choir

The Sistine Chapel Choir sang beautifully at the Midnight Mass at St. Peter’s Basilica.

Richard J. Clark · December 25, 2015

Christmas and the Universal Role of Music

The birth of Christ recalls a specific time and place as does the music of Christmas. It is sacred music that has poured out into an increasingly secular world.

Jeff Ostrowski · December 24, 2015

Musical Resources • Christmas Midnight Mass (Extraordinary Form)

We won’t be singing “Frosty The Snowman” for Offertory!

Andrew Leung · December 22, 2015

Video • Holy Mass in Hollywood, 1944

A video of the Christmas Solemn High Mass in Hollywood film, “Christmas Holiday”

Andrew Leung · December 21, 2015

Sing Like the Angels

We can learn from the best choir, the Holy Angels!

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?

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